#film

Because Chicago was to radio what Hollywood was to films and Broadway was to the theatre: it was the hub of radio. ↗

#broadway #chicago #films #hollywood #hub

It's hard to get a film, you know, you need a very special film to be able to get that experimental. But, I would love to see that happen. I would love the opportunity to be more experimental than I am. ↗

— Danny Elfman

#am #experimental #film #get #happen

Or certainly I would need time - which I would love to have but there almost never is on a film - to just spend a week with a roomful of guys laying down these patterns. ↗

— Danny Elfman

#certainly #down #film #guys #i

And you know, we did it as an independent film, and we weren't expecting it to be on television, and Lifetime ended up buying it. And the viewers responded intensely to that film. ↗

— Jenna Elfman

#did #ended #expecting #film #independent

Playing in front of an audience was just such a turn-on for me, and you have 200 people in the audience and it's like doing live theater. And filming something that goes to millions of people several weeks later, it's an interesting dynamic. ↗

— Jenna Elfman

#doing #dynamic #filming #front #goes

Each film is different. Time Code was very quick - a matter of months. Miss Julie has been on my shelf as a script for some seven or eight years. But then the shooting process was very quick - 16 days. ↗

— Mike Figgis

#code #days #different #each #eight

I started using film as part of live theatre performance - what used to be called performance art - and I became intrigued by film. ↗

— Mike Figgis

#became #called #film #i #intrigued

When I do the music, I make the musicians listen to what's happening in the film. That way they treat the dialogue as if it was a singer. ↗

— Mike Figgis

#film #happening #i #i do #listen

A movie is made for an audience and a film is made for both the audience and the film-makers. ↗

— David Fincher

#both #film #film-makers #made #movie

In film, we sculpt time, we sculpt behaviour and we sculpt light. ↗