#editing

I love being on stage if I'm not on a set. If I'm at home, I'm usually in my office editing or reconstructing my website or whatever it may be. I just love putting creativity into a performance, so if the right script comes along, and I certainly am reading comedies and dramas now, then I'm ready willing and able to give it a shot. ↗

— Dane Cook

#along #am #being #certainly #comedies

The essence of cinema is editing. It's the combination of what can be extraordinary images of people during emotional moments, or images in a general sense, put together in a kind of alchemy. ↗

— Francis Ford Coppola

#cinema #combination #during #editing #emotional

A lot of young filmmakers bring their movies to my dad because he always gives lots of good editing ideas and notes. He'd be a good film professor. ↗

— Sofia Coppola

#because #bring #dad #editing #film

Certainly it's very difficult to keep momentum going through a film which has as many characters as this does, and the piece took on a life of its own to try and shape it. That took all the time we had in editing. ↗

— John Crowley

#characters #difficult #does #editing #film

The film is made in the editing room. The shooting of the film is about shopping, almost. It's like going to get all the ingredients together, and you've got to make sure before you leave the store that you got all the ingredients. And then you take those ingredients and you can make a good cake - or not. ↗

— Philip Seymour Hoffman

#almost #before #cake #editing #film

We are the products of editing, rather than of authorship. ↗

— George Wald

#editing #products #rather #than

I feel that working with the camera and editing it is actually my strong suit. ↗

— Adam Yauch

#camera #editing #feel #i #i feel

For me, shooting, editing, and scoring rely on rhythm. ↗

— Donnie Yen

#me #rely #rhythm #scoring #shooting

Border crossing' is a recurrent theme in all aspects of my work -- editing, writing, and painting. I'm interested in the various ways artists not only cross borders but also subvert them. In mythology, the old Trickster figure Coyote is a champion border crosser, mischievously dashing from the land of the living to the land of the dead, from the wilderness world of magic to the human world. He tears things down so they can be made anew. He's a rascal, but also a culture hero, dancing on borders, ignoring the rules, as many of our most innovative artists do. I'm particularly drawn to art that crosses the borders critics have erected between 'high art' and 'popular culture,' between 'mainstream' and 'genre,' or between one genre and another -- I love that moment of passage between the two; that place on the border where two worlds meet and energize each other, where Coyote enters and shakes things up. But I still have a great love for traditional fantasy, for Imaginary World, center-of-the-genre stories. I'm still excited by series books and trilogies if they're well written and use mythic tropes in interesting ways. ↗

— Terri Windling

#editing #fantasy #genre #magic #mainstream

It has been our experience that American houses insist on very comprehensive editing; that English houses as a rule require little or none and are inclined to go along with the author's script almost without query. The Canadian practice is just what you would expect--a middle-of-the-road course. We think the Americans edit too heavily and interfere with the author's rights. We think that the English publishers don't take enough editorial responsibility. Naturally, then, we consider our editing to be just about perfect. There's no doubt about it, we Canadians are a superior breed! (in a letter to author Margaret Laurence, dated May, 1960) ↗

— Jack McClelland

#editing #humor #letters #publishing #writing