#editing

If you start to revise before you've reached the end, you're likely to begin dawdling with the revisions and putting off the difficult task of writing. ↗

— Pearl S. Buck

#writing-craft #writing-craft

There's editing, and scripts to read and edit, and casting, and all the elements of production that just sort of take up the normal downtime that you would have as an actor. So there's not a lot of that for me. ↗

— Richard Dean Anderson

#casting #downtime #edit #editing #elements

Sometimes when you're editing a movie, you have the thing that you don't expect - which is you make it longer and longer as you go along. ↗

— Wes Anderson

#editing #expect #go #longer #make

There are editing procedures for talks just as there are editing procedures in jazz improvisation. ↗

— David Antin

#improvisation #jazz #just #procedures #talks

The film's dramatic requirements should always take precedence over the mere aesthetics of editing. ↗

— Edward Dmytryk

#dramatic #editing #film #mere #over

That's the thing about making a movie: You never finish editing. They just take it away from you. ↗

— Abel Ferrara

#away #editing #finish #just #making

Border crossing' is a recurrent theme in all aspects of my work -- editing, writing, and painting. I'm interested in the various ways artists not only cross borders but also subvert them. In mythology, the old Trickster figure Coyote is a champion border crosser, mischievously dashing from the land of the living to the land of the dead, from the wilderness world of magic to the human world. He tears things down so they can be made anew. He's a rascal, but also a culture hero, dancing on borders, ignoring the rules, as many of our most innovative artists do. I'm particularly drawn to art that crosses the borders critics have erected between 'high art' and 'popular culture,' between 'mainstream' and 'genre,' or between one genre and another -- I love that moment of passage between the two; that place on the border where two worlds meet and energize each other, where Coyote enters and shakes things up. But I still have a great love for traditional fantasy, for Imaginary World, center-of-the-genre stories. I'm still excited by series books and trilogies if they're well written and use mythic tropes in interesting ways. ↗

— Terri Windling

#editing #fantasy #genre #magic #mainstream

The thing you don't realize, my dear girl, is that I have been forced by the economic realities to start taking publishing very seriously. For example, it has been brought to my attention that our ability to continue to pay the hordes of people employed by M&S (God knows how many mouths have to be fed) depends directly on the number of copies of your new book [Life Before Man] that we are able to sell between September and Christmas. In past I have been able to treat this whole thing as a fun game. I have never been troubled by the cavalier explanations about lost manuscripts and fuck-ups of various sorts. Now I have learned that this is a deadly serious game. I don't laugh at jokes about the Canadian postal service. I cry. (in a letter to author Margaret Atwood, dated February, 1979) ↗

— Jack McClelland

#editor #humor #margaret-atwood #publishing #writing

David and I got cut out the editing process on that. We were able to affect it more than not. We sent in our notes, we were able to see cuts. We weren't allowed to see dailies and we weren't allowed to sit in the editing room and just work. ↗

— Bob Odenkirk

#affect #allowed #cut #cuts #dailies

If you re-read your work, you can find on re-reading a great deal of repetition can be avoided by re-reading and editing. ↗

— William Safire

#deal #editing #find #great #great deal