#film

Stahl trailed him upstairs, across a mezzanine, and out into the darkness of the sloping balcony. Tom gave the aisle his torch so his guest could see. On the screen below a woman's head was wavering, two or three times larger than life. A metallic voice clanged out, echoing sepulchrally all over the house, like a modern Delphic Oracle. 'Go back, go back!' she said. 'This is no place for you!' Her big luminous eyes seemed to be looking right at Lew Stahl as she spoke. Her finger came out and pointed, and it seemed to aim straight at him and him alone. It was weird; he almost stopped in his tracks, then went on again. He hadn't eaten all day; he figured he must be woozy, to think things like that. ("Dusk To Dawn") ↗

— Cornell Woolrich

#film #movie #movie-theater #movie-theatre #movies

The varying physical characteristics of the actors may also necessitate changes. Sean Connery is six feet four. Dustin Hoffman isn't. ↗

— Sidney Lumet

#film #filmmaking #humour #movies

And we hate this possibility in movies; we hate this "both" shit. "Both" comes off as sloppy characterization, muddy filmmaking, lack of focus. ... But I submit that the real reason we criticized and disliked Lynch's Laura's muddy bothness is that it required of us an empathetic confrontation with the exact same muddy bothness in ourselves and our intimates that makes the real world of moral selves so tense and uncomfortable, a bothness we go to the movies to get a couple hours' fucking relief from. ↗

— David Foster Wallace

#film #movies

Is there a support group for people who didn’t like ‘Brokeback Mountain’? We must, if the rave reviews and the newspaper reports are to be believed, be a very tiny — not to mention vulnerable — minority. Am I dead inside because I didn’t experience the torrent of emotions I’ve been reading about? Am I as emotionally crippled as Ennis because I didn’t blub and hug after sitting through this ‘visceral’ movie, but instead wanted to go and ‘help with the roundup’? ↗

— Mark Simpson

#film #masculinity #men #experience

Our first point of discussion is the hunt. (...) My idea is to start the film with an image of the vixen locked out of her lair which has been plugged up. Her terror as she's pursued across the country. This is a big deal. It means training a fox from birth or dressing up a dog to look like a fox. Or hiring David Attenbrorough, who probably knows a few foxes well enough to ask a favour. ↗

— Emma Thompson

#david-attenborough #filming #foxes #humor #hunting

Lindsay [Doran] goes round the table and introduces everyone -- making it clear that I am present in the capacity of writer rather than actress, therefore no one has to be too nice to me. ↗

— Emma Thompson

#filming #movies #writers #movies

(On period costume posture coaching:) "We all stand about like parboiled spaghetti being straightened out. ↗

— Emma Thompson

#filming #historical-costume #movies #period-costume #posture

The fire alarm went off. Fire engines came racing; we all rushed out on the gravel drive, everyone thinking it was us. In fact, one of the elderly residents of Saltram had left a pan on the oven in her flat. Apparently this happens all the time. The tenant in question is appearing as an extra -- playing one of the cooks. ↗

— Emma Thompson

#cooking #filming #fire #movies #movies

Sense and Sensibility signs litter Devon -- arrows with S & S on. Whenever Ang [Lee] sees a B & B sign he thinks it's for another movie. ↗

— Emma Thompson

#filming #movies #signs #movies

We've hired the calmest babies in the world to play the hysterical Thomas. One did finally start to cry but stopped every time Chris [Newman (assistant director)] yelled 'Action'. ... Babies smiled all afternoon. Buddhist babies. They didn't cry once. We, however, were all in tears by 5 p.m. ↗

— Emma Thompson

#filming #movies #movies