Playing well with others is important - not being too flashy, just keeping good time and of course coming up with cool beats. A good snare drum, kick drum, high hat. Just getting good at the hand feet coordination. ↗
Drums all have their own particulars - each drum has a place where they sound the best - where they ring out and resonate the best, and the head surface isn't too loose or too tight, mainly so you get a good rebound off of the head. ↗
I had sort of exhausted all the avenues playing in Detroit. So again, through the stewardship of my brother, I ended up in California and went to the Musicians Institute in L.A. I wanted to get better as a player. ↗
I took a private lesson, but it didn't really work out, so I went back to playing along with records. That's really the thing that got me into playing a lot - getting excited about playing along with my favorite bands like Zeppelin and Black Sabbath. ↗
Its very sort of spontaneous and organic, not a preconceived sort of jamming. Now we record everything, cause sometimes you'll forget, you know, 'what was that thing again?' So we record everything. ↗
Sometimes one of us will have a riff or a bass line from home but it really gels when we come together. We really have a strong special chemistry that we take advantage of when we get together. ↗
We always feel pretty creative as far as writing songs. We write them together; we just get in a room, or on occasion in Flea's garage. We just sort of improvise, like jazz musicians. ↗