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Doyle: "What is it now, then?" Cordelia: "Isn't java supposed to be a coffee?" Doyle: "Ready to abandon the the Web project?" Cordelia: "No way. We have a chance here to make contact with the millions of people out there who are glued to their computers." Doyle: "All those millions, shunning human contact. I'll never understand it. Call me old-fashioned, if you like, but I want to interface with a face, not a hunk of plastic and glass." Cordelia: "Climb out of the Dark Ages, Munchkin man." Doyle: "It's leprechaun, and either way, I don't appreciate the insult. ↗
#avatar #cordelia #doyle #humour #joss-whedon
And, whoa!" He turned to Mr.D. "Your the wine dude? No way!" Mr.D turned hi eyes away from me and gave Nico a look of loathing. "The wine dude?" "Dionysus, right? Oh, wow! I've got your figurine!" "My figurine." "In my game, Mythomagic. And holofoil card, too! And even though you've only got like five hundred attack points and everybody thinks your the lamest god card, I totally think your powers are sweet!" "Ah." Mr.D seemed truly perplexed, which probably saved my life. "Well, that's...gratifying. ↗
Encino is a small community in the San Fernando Valley smashed up against and completely indistinguishable from all other Valley communities. You can drive from one to the other, passing the same dry cleaners, dubious sushi restaurants, and gas stations, without so much as a sign to mark your transition. It does, frankly, matter much where are you. If anything at all marks Encino from its clone neighbors, it's that it isn't aging quite as well. Sherman Oaks and Woodland Hills have kept their figures and shown up on time for regular collagen injections while Encino is really starting to let itself go. ↗
#age
He glanced around the reading room and closed his eyes, trying to keep hold of the past for a minute longer, a fattening and hungover middle-aged historian in a black corduroy suit. ↗
The moon fled eastward like a frightened dove, while the stars changed their places in the heavens, like a disbanding army. 'Where are we?' asked Gil Gil. 'In France,' responded the Angel of Death. 'We have now traversed a large portion of the two bellicose nations which waged so sanguinary a war with each other at the beginning of the present century. We have seen the theater of the War of Succession. Conquered and conquerors both lie sleeping at this instant. My apprentice, Sleep, rules over the heroes who did not perish then, in battle, or afterward of sickness or of old age. I do not understand why it is that below on earth all men are not friends? The identity of your misfortunes and your weaknesses, the need you have of each other, the shortness of your life, the spectacle of the grandeur of other worlds, and the comparison between them and your littleness, all this should combine to unite you in brotherhood, like the passengers of a vessel threatened with shipwreck. There, there is neither love, nor hate, nor ambition, no one is debtor or creditor, no one is great or little, no one is handsome or ugly, no one is happy or unfortunate. The same danger surrounds all and my presence makes all equal. Well, then, what is the earth, seen from this height, but a ship which is foundering, a city delivered up to an epidemic or a conflagration?' 'What are those ignes fatui which I can see shining in certain places on the terrestrial globe, ever since the moon veiled her light?' asked the young man. 'They are cemeteries. We are now above Paris. Side by side with every city, every town, every village of the living there is always a city, a town, or a village of the dead, as the shadow is always beside the body. Geography, then, is of two kinds, although mortals only speak of the kind which is agreeable to them. A map of all the cemeteries which there are on the earth would be sufficient indication of the political geography of your world. You would miscalculate, however, in regard to the population; the dead cities are much more densely populated than the living; in the latter there are hardly three generations at one time, while, in the former, hundreds of generations are often crowded together. As for the lights you see shining, they are phosphorescent gleams from dead bodies, or rather they are the expiring gleams of thousands of vanished lives; they are the twilight glow of love, ambition, anger, genius, mercy; they are, in short, the last glow of a dying light, of the individuality which is disappearing, of the being yielding back his elements to mother earth. They are - and now it is that I have found the true word - the foam made by the river when it mingles its waters with those of the ocean.' The Angel of Death paused. ("The Friend of Death") ↗
Willow nestled against him. He smoothed her long hair down the back of her T-shirt, feeling its softness. In a few moments she fell asleep again, her breathing warm and regular against his chest. Alex kissed her head, his arms tightening around her. As he drifted back to sleep himself, he saw a brief flash of the thousands of angels streaming in, but right then it seemed distant, almost unimportant. The only thing that mattered was that he was lying in a bed holding Willow, their bare legs entwined. It was all he wanted to do for the rest of his life. ↗
#life
It's [Los Angeles] mostly full of nonsense and delusion and egomania. They think they'll be young and beautiful forever, even though most of them aren't even young and beautiful now. ↗
