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Read through the most famous quotes by topic #gothic
Inevitably, his vision verged toward the fantastic; he published a scattering of stories - most included in this volume - which appeared to conform to that genre at least to the degree that the fuller part of his vision could be seen as "mysteries." For Woolrich it all was fantastic; the clock in the tower, hand in the glove, out of control vehicle, errant gunshot which destroyed; whether destructive coincidence was masked in the "naturalistic" or the "incredible" was all pretty much the same to him. RENDEZVOUS IN BLACK, THE BRIDE WORE BLACK, NIGHTMARE are all great swollen dreams, turgid constructions of the night, obsession and grotesque outcome; to turn from these to the "fantastic" was not to turn at all. The work, as is usually the case with a major writer was perfectly formed, perfectly consistent, the vision leached into every area and pulled the book together. "Jane Brown's Body" is a suspense story. THE BRIDE WORE BLACK is science fiction. PHANTOM LADY is a gothic. RENDEZVOUS IN BLACK was a bildungsroman. It does not matter. ↗
Now that Janet and Frances were older, Grandpa would let them visit him in his study, where the parrot lived. Grandpa came from a long line of parrot-keeping men, and Polly’s predecessor, a white cockatoo, had fought with Wellington’s armies in the Napoleonic Wars. Janet’s father’s earliest memories were of the astonishing oaths known to this bird, who was then a hundred and two years old and spoke in ripe gamey accents long since gone from the world of men. Grandpa believed that there must be a fair number of such long-lived birds in Scotland—even perhaps in England—and it would have been a fine thing to have them all gathered in a great dining hall, invoking ghostly midshipmen and dragoons, violent drinkers and merry rhymesters, perhaps even occasionally a lady of refinement. This, he said, would afford a historical experience of rare value; indeed, ancient parrots should be fêted and cultivated as true archivists. ↗
I clutched the basin of the sink as I checked my reflection. I was badly bruised on my neck and décolleté. I then realized my arms, abdomen and legs ached as if I worked out with heavy weights too hard the day before. My eyes flashed back to my neck. I traced the hand marks that left their anger in a violent green and purple pattern. I needed to wash myself. The smell of blood lingered upon my skin, turning my stomach. I heard Alexei tapping on the door but ignored him and stepped into the shower. The water felt caustic at first, causing the pain my attacker rendered upon my body to resurface, but soon we made peace, and I rested under the heat. I heard him come in, and he slowly moved the curtain back, allowing a rush of cool air to rape me once more. “Please, Dija. Say something.” I continued my determined vow of silence. The hurt was suppressed within my chest. ↗
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It was now autumn, and I made up my mind to make, before winter set in, an excursion across Normandy, a country with which I was not acquainted. It must be borne in mind that I began with Rouen, and for a week I wandered about enthusiastic with admiration, in that picturesque town of the Middle Ages, in that veritable museum of extraordinary Gothic monuments. Well, one afternoon, somewhere about four o'clock, as I happened to be passing down an out-of-the-way by-street, in the middle of which flowed a deep river, black as ink, named the Eau de Robec, my attention wholly directed to examining the bizarre and antique physiognomy of the houses, was all of a sudden attracted by the sight of a series of shops of furniture brokers, one after the other, from door to door along the street. Ah! these second-hand brokers had well chosen their locality, these sordid old traffickers of bric-a-brac, in this fantastic alley leading up from stream of that sinister dark water, under the steep pointed overhanging gables of tiled roofs and projecting shingle eaves, where the weathercocks of the past still creaked overhead. ("Who Knows?") ↗
