#graph

When I was living on the street I would be standing out in front of Grauman's Chinese Theater, leaning against my car and signing autographs and nobody had any idea that I was living in it. ↗

— Danny Bonaduce

#any #autographs #car #chinese #front

I try about four or five looks during a shoot. A look can be defined by changes to hair, makeup, jewelry, props, furniture, background, partial clothing, fabric accents, accessories, lighting, etc. ↗

— A.K. Nicholas

#nude #photography #beauty

She realized that the photograph had caused his reaction. It came to her almost as a revelation. Think of it: a photographer presses a button. A few hours later and half a world away, some dots of ink on a news print showed what he had seen-and had the power to touch peoples emotions, perhaps to change their way of thinking. ↗

— Soheir Khashoggi

#photography #the-power-of-images #change

I create other worlds, magical never-never lands where the camera is my weapon and the battles I fight are with the elements. i stretch the laws of the mind and displace people from their realities to capture a side of them they didn’t even know they had. Photography has the ability to freeze people in this time and space—no matter what happens after that moment, it cannot change—they are exactly how i want them to be. ↗

— Tyler Shields

#capture #create #fantasies #freedom #frozen

The shock of photographed atrocities wears off with repeated viewings, just as the surprise and bemusement felt the first time one sees a pornographic movie wear off after one sees a few more. ↗

— Susan Sontag

#photography #pornography #movies

A paradox: the same century invented History and PHotography. But History is a memory fabricated according to positive formulas, a pure intellectual discourse which abolishes mythic Time; and the Photograph is a certain but fugitive testimony; so that everything, today, prepares our race for this impotence: to be no longer able to conceive duration, affectively or symbolically: the age of the Photograph is also the age of revolutions, contestations, assassinations, explosions, in short, of impatiences, of everything which denies ripening. ↗

— Roland Barthes

#modernity #photography #age

The sun is high and I’m surrounded by sand. For as far as my eyes can see I’m strapped into a rocking chair With a blanket over my knees I am a stranger to myself And nobody knows I’m here When I looked into my face It wasn’t myself I’d seen But who I’ve tried to be. I’m thinking of things I’d hoped to forget. I’m choking to death in a sun that never sets. I clugged up my mind with perpetual grief And turned all my friends into enemies And now that past has returned to haunt me. I’M SCARED OF GOD AND SCARED OF HELL AND I’M CAVING IN UPON MYSELF HOW CAN ANYONE KNOW ME WHEN I DON’T EVEN KNOW MYSELF ↗

— José Ángel Mañas

#death

For Death must be somewhere in a society; if it is no longer (or less intensely) in religion, it must be elsewhere; perhaps in this image which produces Death while trying to preserve life. Contemporary with the withdrawal of rites, Photography may correspond to the intrusion, in our modern society, of an asymbolic Death, outside of religion, outside of ritual, a kind of abrupt dive into literal Death. ↗

— Roland Barthes

#death

I wanted to study graphic design, because I wanted to work in an office with designer desks, ergonomic chairs, pool tables, and walls so colorful it looks like a flock of flamingoes exploded and splattered evenly from floor to ceiling. ↗

— Jarod Kintz

#explosion #flamingo #flamingoes #graphic-design #job

Because the eye has seen, thoughts are structured upon images and not upon ideas. ↗

— David Consuegra

#thought #design