The heart of the matter seems to me to be the direct interaction between one's making a poem in English and a poem in the language that one understands and values. I don't see how you can do it otherwise. ↗
There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have a very close association between costume and set designer, though. And the cameraman is very important, of course. ↗
I used to stand outside the theater knowing the truant officer was looking for me. I would stand there 'til someone came along and then ask them to buy my ticket. ↗
So she went into the garden to cut a cabbage-leaf, to make an apple-pie; and at the same time a great she-bear, coming up the street, pops its head into the shop. 'What! no soap?' So he died, and she very imprudently married the barber. ↗
I may not be the most famous songwriter in the world, but you know a David Friedman song when you hear it. It took me a long time to appreciate that. ↗
It's a very smart and heartfelt movie and that's why, I think, we're all drawn to it. We really showed up for this with this collective idea that it was really ambitious, but we felt we all really had something to gain from it. ↗