Somewhere along the line I made the switch and was able to look at the bight side rather than the dark side all the time. Now I look at everything I have and think how lucky I am. ↗
Am I coasting on some early success? Yeah. It was a good lucky break for me. But I would rather earn my way back again than simply conform to what people are expecting. ↗
Everyone wants to get into soundtracks. Everyone wants to do songs here and there. But, I think they want it for different reasons. I think I'm just tumbling through my life, enjoying playing with everybody. ↗
It makes sense - you wanna gather a lot of people together, and Vegas really does that well. New York can, but you know the hassles. I've lived there. It's an entirely different beast. ↗
It seems to me like the Internet allows you to break that structure a little bit. You know, here's your CD that's going into stores, here's your EP that you offer online, here's a subscription for songs you recorded on the road, here's your live stuff streaming. ↗
My identity has everything to do with me and my instrument. It doesn't have to do with what production style I use, or how many people played on it, whether it's sparse or grandiose or whatever. And I'm social, frankly. ↗
The other day I was reading a blog and I linked over to Streisand's Web site, and it was amazing politically. She's so insightful and incisive. And she also says whatever she wants. ↗
When I use the Internet, it's pretty much strictly for music. Checking out other people's web sites, what's going on, listening to music. It's pretty much a musical thing for me. ↗
