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Read through the most famous quotes by topic #holocaust
On the average, only those prisoners could keep alive who, after years of trekking from camp to camp, had lost all scruples in their fight for existence; they were prepared to use every means, honest and otherwise, even brutal force, theft, and betrayal of their friends, in order to save themselves. We who have come back, by the aid of many lucky chances or miracles - whatever one may choose to call them - we know: the best of us did not return. ↗
Arendt, as we have seen, is committed to understanding totalitarianism in its complete novelty, as an unprecedented phenomenon. It is unprecedented in the strict sense that it does not just represent a novel variation with respect to the categories defining forms of government that we have long held… historically, mankind ‘even in its darkest periods, granted the slain enemy the right to be remembered, as a self-evident acknowledgment of the fact that we are all men’ (Arendt 1968a: 452). What was attempted in the camps was neither punishment nor persecution but obliteration, such that even death was robbed of its meaning, ‘making martyrdom, for the first time in history, impossible. ↗
There's a long road of suffering ahead of you. But don't lose courage. You've already escaped the gravest danger: selection. So now, muster your strength, and don't lose heart. We shall all see the day of liberation. Have faith in life. Above all else, have faith. Drive out despair, and you will keep death away from yourselves. Hell is not for eternity. And now, a prayer - or rather, a piece of advice: let there be comradeship among you. We are all brothers, and we are all suffering the same fate. The same smoke floats over all our heads. Help one another. It is the only way to survive. ↗
It has often been said that Christian Poles did nothing to help Jews during the war. Don't believe it. There were indeed those who turned their backs on the hounded, hungry people who came to them in desperation; there were others who did their little bit to help where they realistically could, often not without some risk to themselves; and there were those who were ready to risk their lives and to share their last meal with a fugitive. I don't believe that in these matters the Polish people in the last war were different from any others caught in a similar stranglehold. And what is more, the rescued have no right to assume that they would automatically become rescuers if roles were reversed. We simply don't know, any of us, how we would react until put to the rest. And the not-knowing troubles me. You see, I don't believe as many people do that courage is a characteristic like optimism or generosity; I think of it more as a mood, like laughter or sadness, a child of the moment, which might come to any of us in certain circumstances - and desert us in others. ↗
Another letter complained about the soldiers suffering in Stalingrad, asking God why He let things like this happen to the brave German people. This letter was a classic. The godless barbarians who had forgotten the image of God in the hour of their victories, the murderers who were shooting tens of thousands of Jews and Russian prisons of without blinking an eye, suddenly now remembered that there was a God somewhere after all. Where was God when they were massacring innocent women and children in the forts of Lithuania, piling them on top of the other in huge mass graves? Why didn't they look up to Him at that hour? But at that time they were playing God themselves, with the lives of millions of "subhumans." Oh, how good it felt to hear a German Nazi clamour of God! God! This was our revenge. God was no in Stalingrad. This was the Ninth Fort for the Germans. ↗
Jonathan Safran Foer’s 10 Rules for Writing: 1.Tragedies make great literature; unfathomable catastrophes (the Holocaust, 9/11) are even better – try to construct your books around them for added gravitas but, since those big issues are such bummers, make sure you do it in a way that still focuses on a quirky central character that’s somewhat like Jonathan Safran Foer. 2. You can also name your character Jonathan Safran Foer. 3. If you’re writing a non-fiction book you should still make sure that it has a strong, deep, wise, and relatable central character – someone like Jonathan Safran Foer. 4. If you reach a point in your book where you’re not sure what to do, or how to approach a certain scene, or what the hell you’re doing, just throw in a picture, or a photo, or scribbles, or blank pages, or some illegible text, or maybe even a flipbook. Don’t worry if these things don’t mean anything, that’s what postmodernism is all about. If you’re not sure what to put in, you can’t go wrong with a nice photograph of Jonathan Safran Foer. 5. If you come up with a pun, metaphor, or phrase that you think is really clever and original, don’t just use it once and throw it away, sprinkle it liberally throughout the text. One particularly good phrase that comes to mind is “Jonathan Safran Foer.” 6. Don’t worry if you seem to be saying the same thing over and over again, repetition makes the work stronger, repetition is good, it drives the point home. The more you repeat a phrase or an idea, the better it gets. You should not be afraid of repeating ideas or phrases. One particularly good phrase that comes to mind is “Jonathan Safran Foer.” 7. Other writers are not your enemies, they are your friends, so you should feel free to borrow some of their ideas, words, techniques, and symbols, and use them completely out of context. They won’t mind, they’re your friends, just like my good friend Paul Auster, with whom I am very good friends. Just make sure you don’t steal anything from Jonathan Safran Foer, it wouldn’t be nice, he is your friend. 8. Make sure you have exactly three plots in your novel, any more and it gets confusing, any less and it’s not postmodern. At least one of those plots should be in a different timeline. It often helps if you name these three plots, I often use “Jonathan,” “Safran,” and “Foer.” 9. Don’t be afraid to make bold statements in you writing, there should always be a strong lesson to be learned, such as “don’t eat animals,” or “the Holocaust was bad,” or “9/11 was really really sad,” or “the world would be a better place if everyone was just a little bit more like Jonathan Safran Foer.” 10. In the end, don’t worry if you’re unsuccessful as a writer, it probably wasn’t meant to be. Not all of us are chosen to become writers. Not all of us can be Jonathan Safran Foer. ↗
