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Wajar bagi anak burung dan binatang lain diberi makan oleh ibu mereka, tapi raja dan ratu tampaknya tak pernah dewasa, mereka menuntut diberi makan oleh yang lain seumur hidup. Kemandirian adalah sesuatu yang tak pernah mereka lakukan atau pelajari ↗
A daughter, a wife, a grandson,' You could say this place took away all I had. I could easily appear to be one of those unfortunate white men you hear about, who thought too lovingly of the other races and civilization of the world, who left his own country in the West to set up a home among them in the East, and was ruined as a result, paying dearly for his foolish mistake. His life smashed to pieces by the barbarians surrounding him. ↗
How was Gengo to know, Saigyo reflected, that this unheroic existence imposed even greater torment than the icy lashings of the Nachi Falls in its thousand-foot leap? How was Gengo to realize that Saigyo had not slept a single night undisturbed since he had fled his home for the Eastern Hills, that his sleep was haunted by the cries of his beloved daughter from whom he had torn himself. Who knew that during the day, when he went about his tasks of drawing water and chopping wood as he composed verses, the sighting of the wind in the treetops of the valleys below and the pines surrounding the temple sounded to him like the mourning of his young wife, and so troubled his nights that sleep no longer visited him? Never again would Saigyo find peace. He had wrenched asunder the living boughs of the tree that was his life. Remorse and compassion for his loved ones would dog him to the end of his days. ↗
The hands that felled trees also cut umbilical cords; the hands that wrung the necks of chickens and butchered hogs also nudged African violets into bloom; the arms that loaded sheaves, bales, and sacks rocked babies into sleep. They patted biscuits into flaky ovals of innocence- and shrouded the dead. They plowed all day and came home to nestle like plums under the limbs of their men. The legs that straddled a mule's back were the same ones that straddled their men's hips. And the difference was all the difference there was. ↗
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Ever since he repented of religion and shaved off his clerical beard and mustache, he has had the constant feeling that he has taken off his trousers, and that his nose protrudes altogether indecently and must at all cost be covered. It's sheer torment! With one hand over his nose, the deacon knocks again and again. No one responds. And yet Martha is home; the gate is locked from within. And that means - what? It means that she is with someone else... The deacon punctuates the scene inwardly with the three dots we have graphically depicted just above, and, tripping over them at every second step, he proceeds to Rosa Luxemburg Street. ("X") ↗
Miss West is never idle. Below, in the big after-room, she does her own laundering. Nor will she let the steward touch her father's fine linen. In the main cabin she has installed a sewing-machine. All hand-stitching, and embroidering, and fancy work she does in the deck-chair beside me. She avers that she loves the sea and the atmosphere of sea-life, yet, verily, she has brought her home-things and land-things along with her--even to her pretty china for afternoon tea. ↗
...is there any body of citizens in the country who actually welcome and enjoy a General Election?..YES. Those citizens are schoolchildren...attending national schools. It may be very cynical, but on the appointed day those Lyceums of lower learning are turned into polling stations, the homes of innocence temporarily become part of the grim apparatus of politics and the scheming of sundry chancers. ↗
#home
We live, all of us, in sprung rhythm. Even in cities, folk stir without knowing it to the surge in the blood that is the surge and urgency of season. In being born, we have taken seisin of the natural world, and as ever, it is the land which owns us, not we, the land. Even in the countryside, we dwell suspended between the rhythms of earth and season, weather and sky, and those imposed by metropolitan clocks, at home and abroad. When does the year begin? No; ask rather, When does it not? For us – all of us – as much as for Mr Eliot, midwinter spring is its own season; for all of us, if we but see it, our world is as full of time-coulisses as was Thomas Mann’s. Countrymen know this, with the instinct they share with their beasts. Writers want to know it also, and to articulate what the countryman knows and cannot, perhaps, express to those who sense but do not know, immured in sad conurbations, rootless amidst Betjeman’s frightful vision of soot and stone, worker’s flats and communal canteens, where it is the boast of pride that a man doesn’t let the grass grow under his feet. As both countryman and writer, I have a curious relationship to time. ↗
#country-life #countryside #sir-john-betjeman #time #village-life
