As a boy, I was never interested in theater because I came from a working-class Scottish home. I thought, 'I want to do movies.' Then it was finding the means to do it. ↗
With my daughter, who at the time was one, my domestic life needed to take more precedent and really with my own self I needed to develop quite a bit more. So that put Blur down the list of priorities quite a lot by the time I came to thinking about it. ↗
I came from a poor family, so working and going to school at the same time was natural. It taught me multi-tasking, although we didn't call it that back then. I learned I could never be idle, I need to be doing many things at once. ↗
My parents always knew I was hopeless at everything else, I was fortunate in that I was backed all the way. I came to it late and only because I thought there'd be loads of women and drinking! ↗
I came here as a man of visions. I was sent here as a man of visions, like a second Noah. I'm not a Noah but I'm here as a second Noah. I'm here as a red light is in the street. ↗
I came up around people who took acting seriously, who cared about acting, cared about the theater and, in the '70s, made movies that said something that mattered. I came up with those people, and I was a kid. Their ethos and credo became mine. ↗
