The mind is like a richly woven tapestry in which the colors are distilled from the experiences of the senses, and the design drawn from the convolutions of the intellect. ↗
I am writing a sequel to The Touch because I want to further explore the Chinese question that I have raised. There will be more about that in a sequel. ↗
My father worked hard, but we were still very poor; and I didn't want anybody arguing about money, so I became the entertainer - the one who wanted everyone to be happy. I didn't want there to be any problems. ↗
In The Touch, the love scenes are the same as they were in The Thorn Birds or anything else I've ever written. I find a way of saying that either it was heaven or hell but in a way that still leaves room for the reader to use their own imagination. ↗
My fictitious characters will take the bit between their teeth and gallop off and do something that I hadn't counted on. However, I always insist on dragging them back to the straight and narrow. ↗
Once I've got the first draft down on paper then I do five or six more drafts, the last two of which will be polishing drafts. The ones in between will flesh out the characters and maybe I'll check my research. ↗
People are so helpful. People will stop what they're doing to show you something, to walk with you through a section of the town, or explain how a suspension bridge really works. ↗