No subscription or hidden extras
Read through the most famous quotes by topic #imagination
He almost shouted, "What? You knew it all along?" She smiled & said,"That was why I left the front door ajar, so that you could follow me in. You wanted to see me naked & I decided to let you. You see, at that time, I was as much in love with you as you were in love with me. And I decided to show you everything, to leave nothing to your imagination, because that was what you wanted & what I also wanted."[MMT] ↗
All the same,” I said, “when you read the prints in the snow and the evidence of the branches, you did not yet know Brunellus. In a certain sense those prints spoke of all horses, or at least all horses of that breed. Mustn’t we say, then, that the book of nature speaks to us only of essences, as many distinguished theologians teach?” “Not entirely, dear Adso,” my master replied. “True, that kind of print expressed to me, if you like, the idea of ‘horse,’ the verbum mentis, and would have expressed the same to me wherever I might have found it. But the print in that place and at that hour of the day told me that at least one of all possible horses had passed that way. So I found myself halfway between the perception of the concept ‘horse’ and the knowledge of an individu?al horse. And in any case, what I knew of the universal horse had been given me by those traces, which were singular. I could say I was caught at that moment between the singularity of the traces and my ignorance, which assumed the quite diaphanous form of a univer?sal idea. If you see something from a distance, and you do not understand what it is, you will be content with defining it as a body of some dimension. When you come closer, you will then define it as an animal, even if you do not yet know whether it is a horse or an ass. And finally, when it is still closer, you will be able to say it is a horse even if you do not yet know whether it is Brunellus or Niger. And only when you are at the proper distance will you see that it is Brunellus (or, rather, that horse and not another, however you decide to call it). And that will be full knowledge, the learning of the singular. So an hour ago I could expect all horses, but not because of the vastness of my intellect, but because of the paucity of my deduction. And my intellect’s hunger was sated only when I saw the single horse that the monks were leading by the halter. Only then did I truly know that my previous reasoning, had brought me close to the truth. And so the ideas, which I was using earlier to imagine a horse I had not yet seen, were pure signs, as the hoofprints in the snow were signs of the idea of ‘horse’; and sins and the signs of signs are used only when we are lacing things. ↗
Resta-nos esclarecer a parte que nesse golfo fantástico cabe ao imaginário indireto, ou seja, o conjunto de imagens que a cultura nos fornece, seja ela cultura de massa ou outra forma de tradição. Esta questão suscita de imediato uma outra: que futuro estará reservado à imaginação individual nessa que se convencionou chamar a "civilização da imagem"? O poder de evocar imagens [i]in absentia[/i] continuará a desenvolver-se numa humanidade cada vez mais inundada pelo dilúvio das imagens pré-fabricadas? Antigamente a memória visiva de um individuo estava limitada ao patrimônio de suas experiências diretas e a um reduzido repertório de imagens refletidas pela cultura; a possibilidade de dar forma a mitos pessoais nascia do modo pelo qual os fragmentos dessa memória se combinavam entre si em abordagens inesperadas e sugestivas. Hoje somos bombardeados por uma tal quantidade de imagens a ponto de não podermos distinguir mais a experiência direta daquilo que vimos há poucos segundos na televisão. Em nossa memória se depositam, por estratos sucessivos, mil estilhaços de imagens, semelhantes a um depósito de lixo, onde é cada vez menos provável que uma delas adquira relevo ↗
Intelligence isn’t just about how many levels of math courses you’ve taken, how fast you can solve an algorithm, or how many vocabulary words you know that are over 6 characters. It’s about being able to approach a new problem, recognize its important components, and solve it—then take that knowledge gained and put it towards solving the next, more complex problem. It’s about innovation and imagination, and about being able to put that to use to make the world a better place. This is the kind of intelligence that is valuable, and this is the type of intelligence we should be striving for and encouraging. ↗
One reason why the Enemy found this so easy was that, without knowing it, I was already desperately anxious to get rid of my religion; and that for a reason worth recording. By a sheer mistake - and I still believe it to have been an honest mistake - in spiritual technique I had rendered my private practice of that religion a quiet intolerable burden. It came about in this way. Like everyone else I had been told as a child that one must not only say one's prayers but think about what one was saying. Accordingly, when I came to a serious belief, I tried to put this into practice. At first it seemed plain sailing. But soon the false conscience (St. Paul's 'Law', Herbert's 'prattler') came into play. One had no sooner reached 'Amen' than it whispered, 'Yes. But are you sure you were really thinking about what you said?'; then, more subtly, 'Were you, for example, thinking about it as well as you did last night?' The answer, for reasons I did not then understand, was nearly always No. 'Very well,' said the voice, 'hadn't you, then, better try it over again?' And one obeyed; but of course with no assurance that the second attempt would be any better...I set myself a standard. No clause of my prayer was to be allowed to pass muster unless it was accompanied by what I called a 'realization,' by which I meant a certain vivedness of the imagination and the affections. My nightly task was to produce by sheer will power a phenomenon which will power could never produce, which was so ill-defined that I could never say with absolute confidence whether it had occurred, and which, even when it did occur, was of very mediocre spiritual value. ↗
Glenn used to say the reason you can't really imagine yourself being dead was that as soon as you say, "I'll be dead," you've said the word I, and so your'e still alive inside the sentence. And that's how people got the idea of immortality of the soul - it was a consequence of grammar. And so was God, because as soon as there's a past tense, there has to be a past before the past, and you keep going back in time until you get to I don't know, and that's what God is. It's what you don't know - the dark, the hidden, the underside of the visible, and all because we have grammar, and grammar would be impossible without the FoxP2 gene; so God is a brain mutation, and that gene is the same on birds need for singing. So music is built in, Glenn said: It's knitted into us. It would be very hard to amputate it because it's an essential part of us, like water. ↗
It is because of this sea between us. The earth has never, up to now, separated us. But, ever since yesterday, there has been something in this nonetheless real, perfectly Atlantic, salty, slightly rough sea that has cast a spell on me. And every time I think about Promethea, I see her crossing this great expanse by boat and soon, alas, a storm comes up, my memory clouds over, in a flash there are shipwrecks, I cannot even cry out, my mouth is full of saltwater sobs. I am flooded with vague, deceptive recollections, I am drowning in my imagination in tears borrowed from the most familiar tragedies, I wish I had never read certain books whose poison is working in me. Has this Friday, perhaps, thrown a spell on me? But spells only work if you catch them. I have caught the Tragic illness. If only Promethea would make me some tea I know I would find some relief. But that is exactly what is impossible. And so, today, I am sinning. I am sinking beneath reality. I am weighted down with literature. That is my fate. Yet I had the presence of mind to start this parenthesis, the only healthy moment in these damp, feverish hours. All this to try to come back to the surface of our book... Phone me quickly, Promethea, get me out of this parenthesis fast!) ↗
I'll bet every great thinker and leader we've got Could see all kinds of things other people could not! So then why get upset if somebody like me Tries to look at the world just a bit differently? ↗
Many „pathogens“ (both chemical and behavioral) can influence how you turn out; these include substance abuse by a mother during pregnancy, maternal stress, and low birth weight. As a child grows, neglect, physical abuse, and head injury can cause problems in mental development. Once the child is grown, substance abuse and exposure to a variety of toxins can damage the brain, modifying intelligence, aggression, and decision-making abilities. The major public health movement to remove lead-based paint grew out of an understanding that even low levels of lead can cause brain damage that makes children less inteligent and, in some cases, more impulsive and aggressive. How you turn out depends on where you´ve been. So when it comes to thinking about blameworthiness, the first difficulty to consider is that people do not choose their own developmental path. It´s problematic to imagine yourself in the shoes of a criminal and conclude, „Well, I wouldn´t have done that“ – because if you weren´t exposed to in utero cocaine, lead poisoning, or physical abuse, and he was, then you and he are not directly comparable. ↗
