I'd say any good set or any comedy that I've worked on, that's worked, has been comedians pitching ideas back and forth to each other. A lot of like, 'What if you say this? What about this?' ↗
I'm going to do 'The Social Network Two: The Electric Boogaloo.' And I have a part in 'Beige Swan.' I'm going to be the lead, but I don't dance. I just do a lot of sitting down. It's too tiring to get up and dance around. That should be coming out in 20-never. ↗
I've said this before, that, when you're in school and you're the class clown, men are really good at making fun at other people and women are really good at making fun of themselves. ↗
Improvisation is almost like the retarded cousin in the comedy world. We've been trying forever to get improvisation on TV. It's just like stand-up. It's best when it's just left alone. It doesn't translate always on TV. It's best live. ↗
It's not communism, it's shouldn't be that everybody gets a try no matter how good or bad they are. It's our profession and our art, so we should eventually strive to be working with the best people. ↗
Right now I'm singing along to books on tape. I typically pop in something like Stephen King's 'The Stand,' and I love singing along to that kind of stuff. ↗
Some people get in the way of change happening. Some people spend their whole careers thinking they can make a difference. Other people want to do as little as possible to get the day done. ↗
Sometimes in my class I have people come in and do monologues inspired by people they know and I always find that to be useful to do specifics about somebody and then you're actually doing a character and not doing some random old lady or something. ↗
