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Read through the most famous quotes by topic #kin
If something on the inside is telling you that someone isn’t right for you, they’re NOT right for you, no matter how great they might look on paper. When it’s right for you, you will know. And when it’s not – it’s time to go. ↗
#gut-feeling #holding-out-for-the-best #inner-voice #intuition #not-settling
MICHAEL (standing up and stretching) Gosh, Steve. I don't know how to thank you. STEVE (also standing) Hey, don't thank me. It means you haven't got any excuse now not to get back to work. They are facing each other. STEVE is looking into MICHAEL's eyes. MICHAEL (embarrassed) So... STEVE (also slightly awkward) Right. Well, I guess I'd better be... MICHAEL, surprising himself, silently pulls STEVE towards him. He puts a hand on his cheek. STEVE stares at MICHAEL, unable to move. The feeling of MICHAEL's hand on his cheek is like an electric shock. MICHAEL (whispering, hardly audible) I mean it, really... thanks. He leans forward and kisses STEVE on the lips. STEVE puts his arms round MICHAEL's neck and holds him tightly. MICHAEL suddenly ends the kiss and pulls away. He goes to the door, opens it and says, in a clear voice. MICHAEL Goodnight, then, Steve. STEVE (disappointed, hurt) Right... sure. G'night. MICHAEL immediately closes the door loudly, before STEVE has had a chance to leave. MICHAEL puts a finger to his lips. STEVE suddenly understands. He smiles in radiant relief, pure love and joy in his eyes. They embrace. ↗
#so-adorable #sobs-can-i-cry-now #stephen-fry #this-is-just-so-cute-i-just-nope #love
How could you do that to me?" I repeat. I don´t have to itemize. He knows what I speak of. Eventually N produces three answers, in this order: 1. "Because I am a complete rotter." I silently agree, but it´s a cop-out: I have maggots, therefore I am dead. 2. "I was stressed at work and unhappy and we were always fighting...and you know I was just crazy..." I cut him off, saying, "You don´t get to be crazy. You did exactly what you chose to do." Which is true, he did. It is what he has always done. He therefore seems slightly puzzled at the need for further diagnosis, which may explain his third response: 3. "I don´t know." This, I feel instinctively, is the correct answer. How can I stay angry with him for being what he is? I was, after all, his wife, and I chose him. No coincidences, that´s what Freud said. None. Ever. I wipe my eyes on my sleeve and walk toward the truck, saying to his general direction, "Fine. At least now I know: You don´t know." I stop and turn around and fire one more question: a bullet demanding attention in the moment it enters the skin and spreads outward, an important bullet that must be acknowledged. "What did you feel?" After a lengthy pause, he answers. "I felt nothing." And that, I realize too late, was not the whole truth, but was a valid part of the truth. Oh, and welcome to the Serengeti. That too. ↗
You can never rouse Harris. There is no poetry about Harris- no wild yearning for the unattainable. Harris never "weeps, he knows not why." If Harris's eyes fill with tears, you can bet it is because Harris has been eating raw onions, or has put too much Worcester over his chop. If you were to stand at night by the sea-shore with Harris, and say: "Hark! do you not hear? Is it but the mermaids singing deep below the waving waters; or sad spirits, chanting dirges for white corpses held by seaweed?" Harris would take you by the arm, and say: "I know what it is, old man; you've got a chill. Now you come along with me. I know a place round the corner here, where you can get a drop of the finest Scotch whisky you ever tasted- put you right in less than no time." Harris always does know a place round the corner where you can get something brilliant in the drinking line. I believe that if you met Harris up in Paradise (supposing such a thing likely), he would immediately greet you with: "So glad you've come, old fellow; I've found a nice place round the corner here, where you can get some really first-class nectar. ↗
The generation that followed did not have the same concerns; none of its members attempted to follow the example of the past generation. There was no longer anyone with the noble determination to get to know the great men of the world, or if there were some individuals consumed with this curiosity, they were few in number. From then on, there remained only vulgar minds given over to hatred, envy and discord, who took an interest only in things which did not concern them, gossip, slander, calumny of one's neighbors, all those things which are the source of the worst of our troubles. ↗
#men
I want a History of Looking. For the Photograph is the advent of myself as other: a cunning dissociation of consciousness from identity. Even odder: it was before Photography that men had the most to say about the vision of the double. Heautoscopy was compared with an hallucinosis; for centuries this was a great mythic theme. ↗
He can't get it up!" Richard is exultant... Oh God. This is how rumors start. This is how misunderstandings happen and archdukes get shot and world wars begin. "Listen, both of you!" I say fiercely. "Lottie has said nothing whatsoever to me about anything being up...or down." "Mine is up," volunteers Noah matter-of-factly, and I gasp in horror before I can stop myself. OK, Fliss. Don't overreact. Be cool. Be an enlightened parent. "Really, darling? Gosh. Well." My cheeks have flamed. Both men are waiting with expressions of glee. "That's...that's interesting, sweetheart. Maybe we'll have a little talk about it later. Our bodies do wonderful, mysterious things, but we don't always talk about them in public." I give a meaningful look to Richard. Noah seems perplexed. "But the lady talked about it. She told me to put it up." "What?" I stare at him in confusion. "For takeoff. 'Put your tray table up." "Oh." I gulp. "Oh, I see. Your tray table." I can feel a snort of mirth rising. "Poor Uncle Ben's tray table doesn't go up," says Richard, deadpan. ↗
Men wiser and more learned than I have discerned in history a plot, a rhythm, a predetermined pattern. These harmonies are concealed from me. I can see only one emergency following upon another as wave follows upon wave, only one great fact with respect to which, since it is unique, there can be no generalizations; only one safe rule for the historian: that he should recognize in the development of human destinies the play of the contingent and the unforeseen. ↗
