I have made a film about jazz that tries to look through jazz to see what it tells us about who we are as a people. I think that jazz is a spectacularly accurate model of democracy and a kind of look into our redemptive future possibilities. ↗
When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad. ↗
I always, always liked children... I was very afraid of them before. Because I never really grew up, I mean, with a lot of little kids around. Even though I am from a kind of Italian family, I never really grew up with a lot of little kids around. ↗
When I was little it was a great time for film-making, with stuff like Mike Nichols' 'Silkwood.' The films you see in that pre-secondary-school stage stay with you in a very particular way. ↗
The dove act? I'm still working on it. I don't think it's perfect yet. I got my first pair of doves when I was 14 years old. That was the beginning of the formation of that act. So it's been 24 years now that I've been working on it. ↗
But I've always liked to be the kind of drummer and musician who likes to go outside of what's expected of me, and I've always been able to do more than you necessarily hear with every band I've ever played in. ↗
In my last band, Soundgarden, I had a couple of different drummers sit in on some stuff and it was fun for me to kind of take a break and watch the band. ↗
