#l

The more original something is, the more of a threat it seems until the people catch up with it. That happened with Thelonious Monk. It happened with anybody who is really original. ↗

— Steve Lacy

#catch #happened #monk #more #original

The soprano has all those other instruments in it. It's got the soprano song voice, flute, violin, clarinet, and tenor elements and can even approach the baritone in intensity. ↗

— Steve Lacy

#baritone #clarinet #elements #even #flute

The soprano turned out to sound to me like the right hand on the piano. ↗

— Steve Lacy

#like #me #out #piano #right

In Latin America, even atheists are Catholics. ↗

— Carlos Fuentes

#atheists #catholics #even #latin #latin america

There is an awful lot of what I call recreational jazz going on, where people go out and learn a particular language or style and become real sharks on somebody else's language. ↗

— Steve Lacy

#become #call #else #go #going

They call me before they go into production, when they have a prototype, and they call legitimate saxophonists, too. As opposed to the other kind. ↗

— Steve Lacy

#call #go #into #kind #legitimate

To me, there is spirit in a reed. It's a living thing, a weed, really, and it does contain spirit of a sort. It's really an ancient vibration. ↗

— Steve Lacy

#contain #does #living #living thing #me

We played for peanuts. But we did what we wanted to do, we heard what we wanted to hear, we performed what we wanted to perform, we learned what we wanted to learn. ↗

— Steve Lacy

#hear #heard #learn #learned #peanuts

What I learned with Cecil Taylor was strategy and survival and how to resist temptations and resist getting discouraged. ↗

— Steve Lacy

#discouraged #getting #how #i #learned

When I first started playing music in 1955, there was just a small body of people that knew it. It was a very esoteric type of thing. ↗

— Steve Lacy

#esoteric #first #i #just #knew