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Read through the most famous quotes by topic #lass
I wish we could go to the movies." I stared at him. "We're in a creepy dungeon. There's a chance I might die in the next few hours. You are going to die in the next few hours. And if you had one wish, it would be to catch a movie? ↗
What are those people doing?" Jenna whispered to me. "I don't know," I replied through a frozen grin, "but I'm afraid a musical number might be involved. ↗
Michael rose to his feet and padded down the last few steps silently, came up behind Kim, and leaned over her to say, “I vant to drink your blood” in a heavy, fake-Dracula accent. She shrieked, flailed, and a zombie ate her brains on-screen. You sabotaged me!” Kim yelled, dropped the controller, and smacked him hard on the chest. “I can’t believe you just totally sabotaged me!” Can’t let him lose,” Michael said, as Shane hit the high score and the victory music sounded. “Gotta live with the dude.” They high-fived. You’re seriously going to take that as a win,” Kim said. “When he totally cheated for you.” Yes,” Shane said. “I seriously am. ↗
#claire-danvers #eve-rosser #michael-glass #morganville-vampires #shane-collins
The three most harmful addictions are heroin, carbohydrates, and a monthly salary. ↗
#carbohydrates #diabesity #dr-hyman #dr-robert-lustig #labor
...I have sometimes thought that the mere hearing of those songs would do more to impress some minds with the horrible character of slavery, than the reading of whole volumes of philosophy on the subject could do. I did not, when a slave, understand the deep meaning of those rude and apparently incoherent songs. I was myself within the circle; so that I neither saw nor heard as those without might see and hear. They told a tale of woe which was then altogether beyond my feeble comprehension; they were tones loud, long, and deep; they breathed the prayer and complaint of souls boiling over with bitterest anguish. Every tone was a testimony against slavery, and a prayer to God for deliverance from chains. The hearing of those wild notes always depressed my spirit, and filled me with ineffable sadness. I have frequently found myself in tears while hearing them. The mere recurrence to those songs, even now, afflicts me; and while I am writing these lines, an expression of feeling has already found its way down my cheek. To those songs I trace my first glimmering conception of the dehumanizing character of slavery. I can never get rid of that conception. Those songs still follow me, to deepen my hatred of slavery, and quicken my sympathies for my brethren in bonds. If any one wishes to be impressed with the soul-killing effects of slavery, let him go to Colonel Lloyd's plantation, and, on allowance-day, place himself in the deep pine woods, and there let him, in silence, analyze the sounds that shall pass through the chambers of his soul, - and if he is not thus impressed, it will only be because "there is no flesh in his obdurate heart." I have often been utterly astonished, since I came to the north, to find persons who could speak of the singing, among slaves, as evidence of their contentment and happiness. It is impossible to conceive of a greater mistake. Slaves sing most when they are most unhappy. The songs of the slave represent the sorrows of his heart; and he is relieved by them, only as an aching heart is relieved by its tears. At least, such is my experience. I have often sung to drown my sorrow, but seldom to express my happiness. Crying for joy, and singing for joy, were alike uncommon to me while in the jaws of slavery. The singing of a man cast away upon a desolate island might be as appropriately considered as evidence of contentment and happiness, as the singing of a slave; the songs of the one and of the other are prompted by the same emotion. ↗
If you had enough money, you could hardly commit crimes at all. You just perpetrated amusing little peccadilloes. ↗
Valentine whirled. Clary, lying half-conscious in the sand, her wrists and arms a screaming agony, stared defiantly back. For a moment their eyes met—and he looked at her, really looked at her, and she realized it was the first time her father had ever looked her in the face and seen her. The first and only time. “Clarissa,” he said. “What have you done?” Clary stretched out her hand, and with her finger she wrote in the sand at his feet. She didn’t draw runes. She drew words: the words he had said to her the first time he’d seen what she could do, when she’d drawn the rune that had destroyed his ship. MENE MENE TEKEL UPSHARIN. ↗
