No subscription or hidden extras
Read through the most famous quotes by topic #lit
Leonard Woolf was two years older than Virginia, whom he had first met in 1901 in the rooms of her brother Thoby at Cambridge. He went from St Paul’s School to Trinity College on a scholarship in 1899 and was the first Jew to be elected to the Cambridge Apostles. His father Sidney Woolf (1844–92) was a barrister who died prematurely, leaving his widow, Marie, with the care of their ten children. After Cambridge, Leonard reluctantly entered the Colonial Civil Service and he served in Ceylon for seven years. The experience forged him as a passionate anti-imperialist. In 1911 he began writing a novel based on his experiences, but written from the point of view of the Sinhalese; The Village in the Jungle was published in 1913. This work may have influenced his wife’s novel The Voyage Out, which has a fictional colonial setting. On his return to England he became a committed socialist and he was active on the left for most of his life, publishing numerous pamphlets and books of significance on national and international politics. His role as intimate literary mentor to Virginia Woolf has sometimes overshadowed his considerable import as a political writer in his own right. ↗
Length, I want to suggest, has a peculiar significance for the reader of a Victorian novel and especially so if we are concerned with an awareness of it as a book; a physical object held in the hand... The distinctive achievement of novels like Bleak House and Middlemarch is an expanding density and complexity towards the creation of a realised and felt fictional world. Their imaginative breadth demands both a spatial freedom and temporal capacity equal to the creative intention... The Victorian novel, then, assumes through its length the possibility of a completed and enclosed fictional world. The reading experience, through a linear and sequential development will be, quite obviously, distinct from, say Ulysses or Finnegans Wake. It is what Josipovici has called the 'swelling continuity' of Victorian narrative, a form which encourages a particular kind of reading response: Reading an intricately plotted nineteenth-century novel is very much like travelling by train. Once one has paid for one's ticket and found one's seat one can settle down in comfort and forget all everyday worries until one reaches one's destination, secure that one is in good hands ↗
What The Mysteries of Udolpho suggests is how a novel, by presenting phenomena before it present resolutions, can create an on-going, perhaps spurious, but nevertheless compelling dynamic between details which can undermine the ability of form to impose its particular tyranny on the reader's experience: there is a life in the novel which comes from within. ↗
The past is not another country; it is another life. The texture of daily living is different now than in the past, more different the further back we look, until we find people whose experiences created a psychology we might find baffling or rude. Many details that once made up the daily round are lost to us because people considered them too trivial to write down. Knowing the past means knowing what people carried in their pockets, what they did with their sewage, where their dogs slept. Those details may seem unimportant, but what they convey is not. ↗
Some may wonder whether part of the harvest of this invisible pollution (electromagnetic radiation) may be the comparative rarity of visionary experience in the modern world, and the predominence of a removed, overanalytical, repelling 'onlooker' intelligence in its place, resembling that of the (Martin) Amis hero (who will not see because he cannot feel). If this is so, such an intelligence has produced conditions favoring its evolution and survival. ↗
How could those who wrote the Constitution possibly understand its meaning better than those who had the experience of observing and participating in its operation? It is one thing to rail against the evils of politically unaccountable judges enlarging constitutional rights beyond the ideas and purposes of their adopters; another to explain why morally sustainable claims of equality be held captive to the extraordinary obstacles of Article V or subject to the partial and incomplete understandings of 1789 or 1868. ↗
Worship is Political Science 101. In every worship service, the Christian ekklesia is renewed in her unique story and language, her unique political experience and vocation. Every worship service is a challenge to Caesar, because every Lord's Day we bow to a Man on the throne of heaven, to whom even great Caesar must bow. O'Donovan claims that all political order rests on a people's homage to authority, which is to say, on an act of worship. Every Lord's Day, the Church is reconstituted as a polity whose obedience is owed to Christ, and we are taught to name Jesus as King of kings and Lord of lords. ↗
[E]ach of our voices has something unique to say. Not only should I not mold my life to the demands of external conformity; I can't even find the model by which to live outside myself. I can only find it within. ↗
The issue, perhaps, boils down to one of how perceptions or misperceptions of racial difference impact various individuals’, or groups of individuals’, experience of freedom in America. Some would argue that it goes beyond hampering their “pursuit of happiness” to outright obliterating it. ↗
#demographics-of-united-states #diversity #equality #freedom #george-zimmerman
