#liter

My writing is a combination of three elements. The first is travel: not travel like a tourist, but travel as exploration. The second is reading literature on the subject. The third is reflection. ↗

— Ryszard Kapuscinski

#elements #exploration #first #like #literature

The tradition of Russian literature is also an eastern tradition of learning poetry and prose by heart. ↗

— Ryszard Kapuscinski

#eastern #heart #learning #literature #poetry

This is the most intimate relationship between literature and its readers: they treat the text as a part of themselves, as a possession. ↗

— Ryszard Kapuscinski

#intimate #literature #most #part #possession

t this point I would like to return to the question of the plot movement and the different narrative levels of the book. David Lodge raises a crucial issue when he asks 'how Charlotte Brontë created a literary structure in which the domestic and the mythical, the realistic world of social behaviour and the romantic world of passionate self-consciousness, could co-exist with only occasional lapses into incongruity.' As far as the plot and setting go, however, this states the question rather misleadingly, for in fact at Thornfield there begins a progressive plot movement from realism to fantasy. By 'realism' I do not mean the predominance of the every day and commonplace, or an authorial objectivity of treatment, but simply the use of material that the reader can accept as existing in the ordinary world as well, or of events of a kind that might happen in it without being viewed as extraordinary. That is, things that have a face-value currency of meaning prior to any concealed meaning they may hold or suggest. Thus while Gateshead and Lowood School fit neatly into, and contribute importantly to, the symbolic pattern of the book, they are perfectly believable places in their own right. Even the heavy-handed and obvious satire of Mr Brocklehurst and his family does not invalidate him as a credible conception. But with the beginning of the mystery of the Thornfield attic the plot starts moving away from this facevalue actuality. ↗

— Ian Gregor

#family

Bridget Jones is part of literary lore now and actually to be a part of it is enormously flattering. ↗

— Colin Firth

#bridget #bridget jones #enormously #flattering #jones

I had all the normal interests - I played basketball and I headed the school paper. But I also developed very early a great love for music and literature and the theater. ↗

— Carlisle Floyd

#basketball #developed #early #great #great love

He had a way with him. Before you had a chance to say no, he was there and done. That only happened to me once before, with a duke, who literally swept me off my feet, and before I knew what was happening, we'd done it. Another terrible mistake. ↗

— Christine Keeler

#before #chance #done #duke #feet

Well, you sort of get out of the pool room, you get out of the Marine Corps, you get out and read some literature, you become involved with people who also want to know and are ready to share some ideas about literature and thoughts, and it becomes nourished that way. ↗

— Harvey Keitel

#also #become #becomes #corps #get

Literature is my Utopia. Here I am not disenfranchised. No barrier of the senses shuts me out from the sweet, gracious discourses of my book friends. They talk to me without embarrassment or awkwardness. ↗

— Helen Keller

#awkwardness #barrier #book #discourses #disenfranchised

Sometimes he spend hours together in the great libraries of Paris, those catacombs of departed authors, rummaging among their hoards of dusty and obsolete works in quest of food for his unhealthy appetite. He was, in a manner, a literary ghoul, feeding in the charnel-house of decayed literature." From "The Adventure of the German Student ↗

— Washington Irving

#literature #reading #food