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#literary

Read through the most famous quotes by topic #literary




The Special Operations Network was instigated to handle policing duties considered either too unusual or too specialized to be tackled by the regular force. There were thirty departments in all, starting at the more mundane Neighborly Disputes (SO-30) and going onto Literary Detectives (SO-27) and Art Crime (SO-24). Anything below SO-20 was restricted information, although it was common knowledge that the ChronoGuard was SO-12 and Antiterrorism SO-9. It is rumored that SO-1 was the department that polices the SpecOps themselves. Quite what the others do is anyone's guess. What is known is that the individual operatives themselves are mostly ex-military or ex-police and slightly unbalanced. 'If you want to be a SpecOp,' the saying goes, 'act kinda weird... ↗


— Jasper Fforde


#art #crime #detectives #literary #military

The sublime beauty was almost hidden withing the castle walls. She believed that the treasured things in life were often hard to find - a pearl in an oyster shell, a kind word in the heat of the moment. ↗


— F.C. Malby


#literary-fiction #beauty

In a world of watered-down bestsellers and formula novels, Hitching to Nirvana eases back just enough to show the blade which cuts the real open, then bolts forward again, giving us a charged, swerving dance to self-actualization. Hitching to Nirvana is a magnetic forcefield, not just pulling us beautifully into the story, but into our own lives. It's rare when a writer can open the shared world with such a deft, personal touch. Janet Mason is a genius. ↗


— C.A. Conrad


#literary #women-s-fiction #beauty

The great break of my literary career was going to law school. ↗


— Scott Turow


#career #going #great #law #law school

The range and variety of Chaucer's English did much to establish English as a national language. Chaucer also contributed much to the formation of a standard English based on the dialect of the East Midlands region which was basically the dialect of London which Chaucer himself spoke. Indeed, by the end of the fourteenth century the educated language of London, bolstered by the economic power of London itself, was beginning to become the standard form of written language throughout the country, although the process was not to be completed for several centuries. The cultural, commercial, administrative and intellectual importance of the East Midlands (one of the two main universities, Cambridge, was also in this region), the agricultural richness of the region and the presence of major cities, Norwich and London, contributed much to the increasing standardisation of the dialect. ↗


— Ronald Carter


#education

I'm a minicamp body in 102-degree heat getting screamed at by the only other man my size: a middle-aged receivers coach they call Bow Wow. ↗


— Christopher Harris


#football #literary #age

Only an obstinate prejudice about this period (which I will presently try to account for) could blind us to a certain change which comes over the merely literary texts as we pass from the Middle Ages to the sixteenth century. ↗


— C.S. Lewis


#age

Because you live to love and love to live/ And because of what your heardrum will give/ Now we might love to live and live to love. ↗


— Janet Goodfriend


#best #book-club #cape-cod #character #community

I believe the visionaries and true reflections of society will be rewarded after their lives. Those being rewarded now are giving the public what it needs now, usually applauding its current state and clearing consciences. ↗


— Hollace M. Metzger


#hollace-m-metzger #interview #literary-quotes #poetry #science

In his 1923 review of James Joyce Ulysses, T. S. Eliot focused on one of his generation's recurrent anxieties--the idea that art might be impossible in the twentieth century. The reasons that art seemed impossible are many and complex, but they were all related to the collapse of ways of knowing that had served the Western mind at least since the Renaissance and that had received canonical formulation in the seventeenth century in the science of Newton and the philosophy of Descartes. In both science and philosophy, the crisis was essentially epistemological; that is, it was related to radical uncertainty about how we know what we know about the real world. This crisis, disorienting even to specialists, was at once a cause of despair and an incentive for innovation in the arts. ↗


— Jewel Spears Brooker


#art






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