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Read through the most famous quotes by topic #m
What he was after hangs between the visible and the invisible, between the here and now and the seemingly elsewhere. ↗
What is certain is this, that I never rested in that way again, my feet obscenely resting on the earth, my arms on the handlebars and on my arms my head, rocking and abandoned. It is indeed a delporable sight, a deplorable example, for the people, who so need to be encouraged, in their bitter toil, and to have before their eyes manifestations of strength only, of courage and joy, without which they might collapse, at the end of the day, and roll on the ground. ↗
#example #identifying-with-others #people #separation #courage
Since art is considered a noble field, art should be used to promote all that is good and noble, and in a noble fashion. ↗
I like to think of the figures I make as companions for a personal journey. I try to fill each one with healing energy that responds to the person who owns it, and conversely, I hope that the person who owns it will respond with a true heart connection. I feel that my work is a sign post to the half forgotten world that we all carry inside of us. When people look at my work, I want them to think "Oh, now I remember." If they do that then I know that they have been successful. ↗
#figures #making-art #art
(…) jest naiwnością mniemanie, jakoby zachwyt nasz wobec dzieła sztuki z nas samych pochodził: że zachwyt ten w sporej mierze nie rodzi się z ludzi, ale między ludźmi, i jest to tak jakbyśmy wzajemnie zmuszali się do zachwytu (choć nikt „osobiście” nie jest zachwycony). / It is naive to believe that the admiration for a masterpiece is spontaneous. The admiration, to a great extent, is not born within people but between people, as if we forced each other to admire (while no one is “personally” enraptured). (Dziennik, 1956, XX, Wtorek I) ↗
