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Read through the most famous quotes by topic #magi
Children talk themselves out of their convictions as they grow up and become distracted by their huge selfish selves. All the literature is consistent on this point. Children begin to think they've imagined us. ↗
The imagined memories had to have as much weight as the real, or we had to at least pretend they did to such a degree that they just very well might have. And so I never questioned Angela about that particular story, or about all the troubling things that it pointed to, content to believe that at least in this version things worked for her better than they did in the one I never heard. ↗
Neither your mother nor I have any imagination at all and we certainly didn't bring you up to have one ↗
[The little black boy] had seen Tarzan bring down a buck, just as Numa, the lion, might have done... Tibo had shuddered at the sight, but he had thrilled, too, and for the first time there entered his dull, Negroid mind a vague desire to emulate his savage foster parent. But Tibo, the little black boy, lacked the divine spark which had permitted Tarzan, the white boy, to benefit by his training in the ways of the fierce jungle. In imagination he was wanting, and imagination is but another name for super-intelligence. Imagination it is which builds bridges, and cities, and empires. The beasts know it not, the blacks only a little, while to one in a hundred thousand of earth's dominant race it is given as a gift from heaven that man may not perish from the earth. ↗
Because the brain models our sense of self as just another instance of a thing, it is easy for us to project qualities that we only know of from our own minds into other objects. This allows us to imagine intelligence in a rock, a tree, an animal or even a politician. ↗
Is it my imagination, or is there some kind of jealousy thing going on here?"-Inuyasha (gives Inuyasha a really bad look)"It's your imagination."-Sango (Inuyasha tries to hide behind Kagome) "Whatever you say."-Kagome ↗
Every story is an act of trust between a writer and a reader: each story, in the end, is social. Whatever a writer sets down can help or harm a community of which he or she is a part. When I write I can imagine a child in California wishing to give away what he’s just seen- a wild animal fleeing though creosote cover in the desert, casting a bright-eyed backward glance or three lines of overheard conversation that seem to contain everything we need understand to repair the gaping rift between body and soul. I look back at that boy turning in glee beneath his pigeons and know it can take a lifetime to convey what you mean, to find the opening. You watch, you set it down. Then you try again. ↗
I was blind and heart broken and didn't want to do anything and Gus burst into my room and shouted, "I have wonderful news!" And I was like, "I don't really want to hear wonderful news right now," and Gus said, "This is wonderful news you want to hear," and I asked him, "Fine, what is it?" and he said, "You are going to live a good and long life filled with great and terrible moments that you cannot even imagine yet! ↗
I half closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field and gradually get larger until I'd see it was Tommy, and he'd wave, and maybe even call. ↗
