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Every given commodity fights for itself, cannot acknowledge the others, and attempts to impose itself everywhere as if it were the only one. The spectacle, then is the epic poem of this struggle, an epic which cannot be concluded by the fall of any Troy. The spectacle does not sign the praises of men and their weapons, but of commodities and their passions. In this blind struggle every commodity, pursuing its passion, unconsciously realizes something higher: the becoming-world of the commodity, which is also the becoming-commodity of the world. Thus, by means of a ruse of commodity logic, what's specific in the commodity wears itself out in the fight while the commodity-form moves toward its absolute realization. ↗
And behold! Allah will say: "O Jesus the son of Mary! Didst thou say unto men, worship me and my mother as gods in derogation of Allah.?" He will say: "Glory to Thee! never could I say what I had no right (to say). Had I said such a thing, thou wouldst indeed have known it. Thou knowest what is in my heart, Thou I know not what is in Thine. For Thou knowest in full all that is hidden. ↗
#men
كانت أصعب مهمة بالنسبة إلى سوزان هي أن تتدرب على طلب ما تريد، قالت لي "لماذا يجب علي أن أطلب بعد كل ما فعلت من أجله؟!؛ وضحت لها أن تحمليه مسئولية معرفة رغباتها ليس فقط غير واقعي، بل هو سبب جزء كبير من مشكلتها. كانت تحتاج إلى أن تكون مسئولة عن جعل رغباتها تتحقق. ↗
Once and for all the idea of glorious victories won by the glorious army must be wiped out Neither side is glorious On either side they're just frightened men messing their pants and they all want the same thing Not to lie under the earth but to walk upon it without crutches (Roux, act 1, scene 19) ↗
