I just watched Paul Michael Glaser. He was the reason I wanted to do the movie because as a kid I was such a big fan of his. I watched all the episodes and tried to get a feeling for what he was doing. ↗
I was up for Michael Corleone in 'The Godfather,' but, as I was only 10 at the time, I think Mr. Coppola made the right choice. The Julia Roberts role in 'Pretty Woman' held a bizarre allure for me. But, it's silly to look back with regret. ↗
Michael is a funny character, for whom I have a great deal of affection. He sat across his desk and seemed to be a bit of a blunt fellow. We began talking about the characters and he opened up about his vision. ↗
Part of Michael's uniqueness, I think, comes from the fact that he worked with music. He had a tape which he gave me with many different compositions, really eclectic. These pieces of music were sources of inspiration. ↗
The scene was attempted a second time, up on top of the fort, and cameras didn't even roll. Michael, though he wasn't admitting it, wasn't sure how to shoot the scene. ↗
There came a point in time when Michael was under a great deal of pressure to alter the film in a way that was just disturbing to him. I had not seen the movie, yet. He phoned me in July of '92 to look at his version. ↗
Restoration I did because I really loved e novel and I like Michael Hoffman, who directed it, but it wasn't a really challenging part for me. I'm not critical of the film: I just don't think I gave a very interesting performance. ↗
