No subscription or hidden extras
Read through the most famous quotes by topic #nature
Un exemple remarquable de la pluralité des sens nous est fourni par l’interprétation des caractères idéographiques qui constituent l’écriture chinoise : toutes les significations dont ces caractères sont susceptibles peuvent se grouper autour de trois principales, qui correspondent aux trois degrés fondamentaux de la connaissance, et dont la première est d’ordre sensible, la seconde d’ordre rationnel, et la troisième d’ordre intellectuel pur ou métaphysique, ainsi, pour nous borner à un cas très simple, un même caractère pourra être employé analogiquement pour désigner à la fois le soleil, la lumière et la vérité, la nature du contexte permettant seule de reconnaître, pour chaque application, quelle est celle de ces acceptions qu’il convient d’adopter, d’où les multiples erreurs des traducteurs occidentaux. ↗
...and on some nights in bed, in that moment before sleep erased the day, I would picture the way the sky in Lapland looked the morning I left, how the train had sped south beneath a sky that was brighter than it had been in weeks. It had pulsed with reds and oranges, as though hiding a beating heart. ↗
Adora changed her color scheme from peach to yellow. She promised me she'd take me to the fabric store so I can make new coverings to match. This dollhouse is my fancy." She almost made it sound natural, my fancy. The words floated out of her mouth sweet and round like butterscotch, murmured with just a tilt of her head, but the phrase was definitely my mother's. Her little doll, learning to speak just like Adora. "Looks like you do a very good job with it," I said, and motioned a weak wave good-bye. "Thank you," she said. Her eyes focused on my room in the dollhouse. A small finger poked the bed. "I hope you enjoy your stay here," she murmured into the room, as if she were addressing a tiny Camille no one could see. ↗
#families #insecurity #parental-approval #scary-houses #nature
It occurred to Raule that all children were monsters in the world and were instinctively aware of it. They were reminded of their anomalous nature by adults, whom they failed to resemble, and with whose habitations and tools their bodies were at odds. This was surely why the little girl played with the sequins so solemnly and with such intense concentration. She was doing nothing less than conjuring, out of pattern and colour, a world that conformed to her desires and obeyed her will. The boy, on the other hand, showed with the whole attitude of his being that he knew there was only the one world and he would kill it if he could. ↗
#children #conjuring #emilia-vargey #jacope-vargey #monsters
The job of every generation is to discover the flaws of the one that came before it. That's part of growing up, figuring out all the ways your parents and their friends are broken. ↗
The truth beyond the fetish's glimmering mirage is the relationship of laborer to product; it is the social account of how that object came to be. In this view every commodity, beneath the mantle of its pricetag, is a hieroglyph ripe for deciphering, a riddle whose solution lies in the story of the worker who made it and the conditions under which it was made. ↗
What interests me is to set up what you might call the rapport de grand écart - the most unexpected relationship possible between the things I want to speak about, because there is a certain difficulty in establishing relationships in just that way, and in that difficulty there is an interest, and in that interest there is a certain tension and for me that tension is a lot more important than the stable equilibrium of harmony, which doesn't interest me at all. Reality must be torn apart in every sense of the word. What people forget is that everything is unique. Nature never produces the same thing twice. Hence my stress on seeking the rapport de grand écart: a small head on a large body; a large head on a small body. I want to draw the mind in the direction it's not used to and wake it up. I want to help the viewer discover something he wouldn't have discovered without me. That's why I stress the dissimilarity, for example, between the left eye and the right eye. A painter shouldn't make them so similar. They're just not that way. So my purpose is to set things in movement, to provoke this movement by contradictory tensions, opposing forces, and in that tension or opposition, to find the moment which seems the most interesting to me. ↗
Only within the 20th Century has biological thought been focused on ecology, or the relation of the living creature to its environment. Awareness of ecological relationships is — or should be — the basis of modern conservation programs, for it is useless to attempt to preserve a living species unless the kind of land or water it requires is also preserved. So delicately interwoven are the relationships that when we disturb one thread of the community fabric we alter it all — perhaps almost imperceptibly, perhaps so drastically that destruction follows." Essay on the Biological Sciences, in: Good Reading (1958) ↗
To be a philosophical Sceptic is the first and most essential step towards being a sound, believing Christian. ↗
Meditating on the nature and dignity of prayer can cause saying at least one thing to God: Lord, teach us to pray! ↗
