When I want to render these fine nuances, I do not find them in the subject, but in the nature of women in real life who seek unhealthy emotions and are too stupid even to understand the horror in the most appalling situations. ↗
In fact, in some ways, I actually feel much more confident about the quality of Carousel than I do about The Cottage Builder's Letter: probably because of its cohesive nature. ↗
When I am out and about I feel watched. It's become second nature. The only time I get to be private is in my work. That is when I liberate the ego. The blessed-out sensation of liberating the ego. ↗