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Read through the most famous quotes by topic #night
Ieronym took hold of the cable with both hands, curved himself into a question mark, and grunted. The ferry creaked and lurched. The silhouette of the peasant in the tall hat slowly began to recede from me--which meant that the ferry was moving. Soon Ieronym straightened up and began working with one hand. We were silent and looked at the bank towards which we were now moving. There the "lumination" which the peasant had been waiting for was already beginning. At the water's edge, barrels of pitch blazed like huge bonfires. Their reflection, crimson as the rising moon, crept to meet us in long, wide stripes. The burning barrels threw light on their own smoke and on the long human shadows that flitted about the fire; but further to the sides and behind them, where the velvet ringing rushed from, was the same impenetrable darkness. Suddenly slashing it open, the golden ribbon of a rocket soared skywards; it described an arc and, as if shattering against the sky, burst and came sifting down in sparks. On the bank a noise was heard resembling a distant "hoorah." "How beautiful," I said. "It's even impossible to say how beautiful!" sighed Ieronym. "It's that kind of night, sir! At other times you don't pay attention to rockets, but now any vain thing makes you glad. Where are you from? ↗
There are very few friends that will lie down with you on empty streets in the middle of the night, without a word. No questions, no asking why, just quietly lay there with you, observing the stars, until you're ready to get back up on your feet again and walk the last bit home, softly holding your hand as a quiet way of saying “I'm here”. It was a beautiful night. ↗
#empty-streets #free #friendship #love #night
How do you know they're magic and not some mechanical device of the dwarves?" Tanis asked, sensing that Tas was hiding something. Tas gulped. He had been hoping Tanis wouldn't ask him that question. "Uh," Tas stammered, "I---I guess I did sort of happened to, uh, mention them to Raistilin one night when you were all busy doing something else. He told me they might be magic. To find out, he said one of those weird spells of his and they--uh--began to glow. That meant they were enchanted. He asked me what they did and I demonstated and he said they were 'glasses of true seeing.' The dwarven magic-users of old made them to read books written in other languages and--" Tas stopped. "And?" Tanis pursued. "And--uh--magic spellbooks." Tas's voice was a whisper. "And what else did Raistlin say?" "That if I touched his spellbooks or even looked at them sideways, he'd turn me into a cricket and s-swallow m-me whole," Tasselhoff stammered. He looked up at Tanis with his wide eyed. "I belived him, too." Tanis shook his head. Trust Raistlin to come up with a threat awful enough to quensh the curiosity of a kender. ↗
Ari...I will always love you. I always have.Nothing will change that." I squeezed her hand, then gently released it. "You'll always be a part of me. But...I'm not in love with you...anymore.And despite my promise,despite seeing you again, I do this because I want to be with Meghan, nothing else" Ariella's eyes glazed over, and I eased back, speaking as gently as I could "I can't be yours, Ariella. I'm sorry. ↗
To go to bed at night in Madrid marks you as a little queer. For a long time your friends will be a little uncomfortable about it. Nobody goes to bed in Madrid until they have killed the night. Appointments with a friend are habitually made for after midnight at the cafe. ↗
Woolrich had a genius for creating types of story perfectly consonant with his world: the noir cop story, the clock race story, the waking nightmare, the oscillation thriller, the headlong through the night story, the annihilation story, the last hours story. These situations, and variations on them, and others like them, are paradigms of our position in the world as Woolrich sees it. His mastery of suspense, his genius (like that of his spiritual brother Alfred Hitchcock) for keeping us on the edge of our seats and gasping with fright, stems not only from the nightmarish situations he conjured up but from his prose, which is compulsively readable, cinematically vivid, high-strung almost to the point of hysteria, forcing us into the skins of the hunted and doomed where we live their agonies and die with them a thousand small deaths. ↗
Midnight" The hours glide Like drops of water on a window pane Midnight silence Fear unrolls in the air And the wind hides at the bottom of the well OH It's a leaf We think the earth is going to end Time stirs in the shadow Everyone is asleep A SIGH Inside the house someone has just died ↗
