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Janet Malcolm had famously described journalism as the art of seduction and betrayal. Any reporter who didn't see journalism as "morally indefensible" was either "too stupid" or "too full of himself," she wrote. I disagreed. Without shutting the door on the possibility that I was both stupid and full of myself, I'd never bought into the seduction and betrayal conceit. At most, journalism - particularly when writing about media-hungry public figures - was like the seduction of a prostitute. The relationship was transactional. They weren't talking to me because they liked me or because I impressed them; they were talking to me because they wanted the cover of Rolling Stone. ↗
I'd much rather be hold up with a ball of yarn, tucked inside the safety of the house with my mother. Out there, you must come to grips with the rot and bone, bloom and disintegration. It's part of the world, this ruthlessness, this severed leg, this sun-bleached skull. I can't really stand it. All the signs point toward change, and all that means is death. - 140-141 ↗
Where is our comfort but in the free, uninvolved, finally mysterious beauty and grace of this world that we did not make, that has no price? Where is our sanity but there? Where is our pleasure but in working and resting kindly in the presence of this world? (pg. 215, Economy and Pleasure) ↗
Just as writing can become calligraphy when it’s creatively, skillfully, and consciously performed, so can all other activities become art. In this case, we are reflecting upon life itself as an artistic statement—the art of living. ↗
