It's often wrong to write for specific actors because one ends up using what is least interesting about them, their mannerisms and habits. I prefer not to write for specific people. ↗
It's the story of an American who wants to become a dictator and goes to Europe with a sidekick to interview various Fascists to find out how the Nazis and Mussolini got into power. ↗
And luckily, therefore the good old days return. The traditional art of driving counts again, and it is all about good tactics, skills and reflexes instead of simple power. ↗
The fact that it wasn't tells me that we've got a much more fundamental problem of understanding what went wrong, and we've got to figure out what was there. And that's what I call fundamental fault analysis. ↗
Sometimes you have trouble because someone 'likes' your music so much. They follow you around for hours singing little bits of the songs, or just freaking out. ↗
I do not know anyone who has got to the top without hard work. That is the recipe. It will not always get you to the top, but should get you pretty near. ↗
We have such a good time working together. It makes such a difference going to work every day for 14 hours and being able to hang out and have a good time. ↗
First, people don't read novels off screens, and they don't have a tendency to shell out real money for books when they don't retain anything physically for their money. ↗
