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She's in the Catskill," Shopie began, but Scathach reached over and pinched her hand. "Ouch!" I just wanted to distract you," Scathach explained. "Don't even think about Black Annis. There are some names that should never be spoken aloud." That like saying don't think of elephants, Josh said, "and then all you can think about is elephants." Then let me give you something else to think about," Scathach said softly. "There are two police officers in the window staring at us. Don't look," she added urgently. Too late. Josh turned to look and whatever crossed his face--shock, horror, guilt or fear--bought both officers racing into the cafe, one pulling his automatic from its holster, the other speaking urgently into his radio as he drew his baton. ↗
Bad art has the power to deform a people just as good art generates new reflection, growth, vision, and hope. ↗
The acquisition of knowledge always involves the revelation of ignorance - almost is the revelation of ignorance. Our knowledge of the world instructs us first of all that the world is greater than our knowledge of it. To those who rejoice in the abundance and intricacy in Creation, this is a source of joy, as it is to those who rejoice in freedom... To those would-be solvers of "the human problem," who hope for knowledge equal to (capable of controlling) the world, it is a source of unremitting defeat and bewilderment. The evidence is overwhelming that knowledge does not solve "the human problem." Indeed, the evidence overwhelmingly suggests - with Genesis - that knowledge is the problem. Or perhaps we should say instead that all our problems tend to gather under two questions about knowledge: Having the ability and desire to know, how and what should we learn? And, having learned, how and for what should we use what we know? (pg. 183, People, Land, and Community) ↗
The spaces between the perceiver and the thing perceived can [...] be closed with a shout of recognition. ↗
