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Coleridge’s description of Iago’s actions as "motiveless malignancy" applies in some degree to all the Shakespearian villains. The adjective motiveless means, firstly, that the tangible gains, if any, are clearly not the principal motive, and, secondly, that the motive is not the desire for personal revenge upon another for a personal injury. Iago himself proffers two reasons for wishing to injure Othello and Cassio. He tells Roderigo that, in appointing Cassio to be his lieutenant, Othello has treated him unjustly, in which conversation he talks like the conventional Elizabethan malcontent. In his soliloquies with himself, he refers to his suspicion that both Othello and Cassio have made him a cuckold, and here he talks like the conventional jealous husband who desires revenge. But there are, I believe, insuperable objections to taking these reasons, as some critics have done, at their face value. ↗
How sweet the moonlight sleeps upon this bank! Here will we sit and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look how the floor of heaven Is thick inlaid with patines of bright gold: There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins; Such harmony is in immortal souls; But whilst this muddy vesture of decay Doth grossly close it in, we cannot hear it." - Lorenzo, Acte V, Scene 1 ↗
#moonlight #the-merchant-of-venice #william-shakespeare #music
The Creator has – I say it in all reverence - drawn a myriad red herrings across the track, but the true scientist refuses to be baffled by superficial appearances in detecting the secrets of Nature. The vulgar herd catches at the gross apparent fact, but the man of insight knows what lies on the surfaces does lie. ↗
#god #lies #nature #science #scientists
Shakespeare, in some sense, helped create the modern man, didn't he, his influence is that pervasive. He held the mirror up to nature, but he also created that mirror: so the image he created is the very one we hold ourselves up to. ↗
#modern-man #nature #pervasive-influence-of-the-bard #shakespeare #nature
Absolute trust in the reality of things begins to be shaken as the problem of truth enters upon the scene. The moment man ceases merely to live in and with reality and demands a knowledge of this reality, he moves into a new and fundamentally different relation to it. At first, to be sure, the question of truth seems to apply only to particular parts and not to the whole of reality. Within this whole different strata of validity begin to be marked off, reality seems to separate sharply from appearance. But it lies in the very nature of the problem of truth that once it arises it never comes to rest. The concept of truth conceals an immanent dialectic that drives it inexorably forward, forever extending its limits. ↗
