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#villains

Read through the most famous quotes by topic #villains




There are new words now that excuse everybody. Give me the good old days of heroes and villains, the people you can bravo or hiss. There was a truth to them that all the slick credulity of today cannot touch.


Bette Davis


#cannot #credulity #days #everybody #excuse

Browning's tragedies are tragedies without villains.


Edward Dowden


#tragedies #villains #without

I've played villains on stage - you know, the Iagos and so on - but I think of myself as a funny person. I mostly did comedies before I did TV work.


Michael Emerson


#comedies #did #funny #funny person #i

She had always found villains more exciting than heroes. They had ambition, passion. They made the stories happen. Villains didn't fear death. No, they wrapped themselves in death like suits of armor! As she inhaled the school's graveyard smell, Agatha felt her blood rush. For like all villains, death didn't scare her. It made her feel alive.


Soman Chainani


#villains #death

I love playing villains.


Alfred Molina


#i love #love #playing #villains

I like being a villain. Villains are more exciting.


Judd Nelson


#exciting #i #like #more #villain

There are more than straight good and evil, aye, even more than law or disorders or fence-sittin'. There's prejudice, whimsey, affection, superstition, habit, upbringing, alliance, pride, society, morals, animosity, preference, values, religon, circumstance, humor, perversity, honor, vengeance, jealousy, frustration...hundreds o' factors, from the past and in every present moment, as decides what some one person'll do in an individious situation.


Eve Forward Villains By Necessity


#fantasy #fiction #villains-by-necessity #jealousy

Some writers, notably Anton Chekov, argue that all characters must be admirable, because once we've looked at anyone deeply enough and understood their motivation we must identify with them rather than judge them.


Scarlett Thomas


#heroes #villains #writing #motivational

Coleridge’s description of Iago’s actions as "motiveless malignancy" applies in some degree to all the Shakespearian villains. The adjective motiveless means, firstly, that the tangible gains, if any, are clearly not the principal motive, and, secondly, that the motive is not the desire for personal revenge upon another for a personal injury. Iago himself proffers two reasons for wishing to injure Othello and Cassio. He tells Roderigo that, in appointing Cassio to be his lieutenant, Othello has treated him unjustly, in which conversation he talks like the conventional Elizabethan malcontent. In his soliloquies with himself, he refers to his suspicion that both Othello and Cassio have made him a cuckold, and here he talks like the conventional jealous husband who desires revenge. But there are, I believe, insuperable objections to taking these reasons, as some critics have done, at their face value.


W.H. Auden


#shakespeare #villains #motivational

The villains were always ugly in books and movies. Necessarily so, it seemed. Because if they were attractive—if their looks matched their charm and their cunning—they wouldn't only be dangerous. They would be irresistible.


Nenia Campbell


#dangerous #dark #horror-romance #sex #sex-appeal






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