#villains

With any good story, you need the adversary, the heroes and villains. You need a good mixture to make it work. ↗

— Phil Keoghan

#any #good #good story #heroes #make

I have made calculations that would beggar your soul. What is it that villains always say at the end of stories? You and I are more alike than you think? Well,” the Marquess took September’s hand in hers and very gently kissed it. “We are. Oh, how alike we are! I feel very warmly towards you, and I only want to protect you, as I wish someone had protected me. Come, September, look out the window with me. It’s not a difficult thing. A show of faith, let’s call it. ↗

— Catherynne M. Valente

#similarities #villains #faith

There’s a long, uncomfortable silence in which I contemplate what might happen next. Maybe like the villain in a movie, this is where she gives me a long spiel about her hard-up life before she kills me. Not that I totally believe she’s nefarious. Real life isn’t made up of heroes and villains. Just ordinary people making choices they have to live with. ↗

— Kat Kruger

#villains #movies

I sometimes find that playing the bad guy, or villains, or psychopaths tend to be much more psychologically rewarding. And you can really push it, you can push the limits, and get away with it. ↗

— Sean Bean

#bad #bad guy #find #get #guy

I've played villains on stage - you know, the Iagos and so on - but I think of myself as a funny person. I mostly did comedies before I did TV work. ↗

— Michael Emerson

#comedies #did #funny #funny person #i

She had always found villains more exciting than heroes. They had ambition, passion. They made the stories happen. Villains didn't fear death. No, they wrapped themselves in death like suits of armor! As she inhaled the school's graveyard smell, Agatha felt her blood rush. For like all villains, death didn't scare her. It made her feel alive. ↗

— Soman Chainani

#villains #death

I like being a villain. Villains are more exciting. ↗

— Judd Nelson

#exciting #i #like #more #villain

Some writers, notably Anton Chekov, argue that all characters must be admirable, because once we've looked at anyone deeply enough and understood their motivation we must identify with them rather than judge them. ↗

— Scarlett Thomas

#heroes #villains #writing #motivational

Coleridge’s description of Iago’s actions as "motiveless malignancy" applies in some degree to all the Shakespearian villains. The adjective motiveless means, firstly, that the tangible gains, if any, are clearly not the principal motive, and, secondly, that the motive is not the desire for personal revenge upon another for a personal injury. Iago himself proffers two reasons for wishing to injure Othello and Cassio. He tells Roderigo that, in appointing Cassio to be his lieutenant, Othello has treated him unjustly, in which conversation he talks like the conventional Elizabethan malcontent. In his soliloquies with himself, he refers to his suspicion that both Othello and Cassio have made him a cuckold, and here he talks like the conventional jealous husband who desires revenge. But there are, I believe, insuperable objections to taking these reasons, as some critics have done, at their face value. ↗

— W.H. Auden

#shakespeare #villains #motivational

Bet vai tu zini par manu bērnību? Vai tu zini, cik man bija sliktas mājas un cik daudz ļauna es tur dabūju iemācīties? Šķiet, ka tas nāk līdzi mantojumā, no citiem augumiem, bet no kā? No pirmā auguma, tā bija rakstīts bērnu grāmatās, un liekas, ka piepildās... Tāpēc nevaino mani, tad es savukārt nevainošu savus vecākus, kuri varētu vainot savējos un tā joprojām! ↗

— August Strindberg

#naturalism #original-sin #pelican #villains #nature