No subscription or hidden extras
Read through the most famous quotes by topic #pop
Dango, dango, dango, dango, a big dango family Dango, dango, dango, dango, a big dango family The naughty fried dango, the kind red bean dango The Mid-Autumn Festival dango tends to dream a little The prim sesame dango, the four dango on a skewer Everyone, everyone comes together and it’s a family of 100s The baby dango is always within happiness The aged dango has its eyes narrowed The chummy dango hold their hands together and make a big, round ring They build a town on the dango planet and everyone laughs together The rabbit is trying to wave in the sky; the huge moon Is rounding up everything, happy things and sad things, too The chummy dango hold their hands together and make a big, round ring They build a town on the dango planet and everyone laughs together The rabbit is trying to wave in the sky; the huge moon Is rounding up everything, happy things and sad things, too Dango, dango, dango, dango, a big dango family Dango, dango, dango, dango, a big dango family Dango, dango, dango, dango, a big dango family Dango, dango, dango, dango, a big dango family ↗
Sorry, Bex," Jason said "You don't have the recognizable facial characteristics - such as a huge chin, or a large amount of real estate between the eyes - that would merit the bestowing of a criminal mastermind nickname such as Lockjaw or Walleye. Whereas Crazytop here...well, just look at her." "Atleast I can blow-dry my hair straight," I pointed out. "Which is more than what I can say for your nose, Hawkface. ↗
#cabot #funny #how #mastermind #meg
In times of crisis, you get a public reaction that is incoherence on stilts. On the one hand, most people know that the government is not in the oil business. They don't want it in the oil business. They know there is nothing a man in Washington can do to plug a hole a mile down in the gulf. On the other hand, they demand that the president 'take control.' They demand that he hold press conferences, show leadership, announce that the buck stops here and do something. They want him to emote and perform the proper theatrical gestures so they can see their emotions enacted on the public stage. They want to hold him responsible for things they know he doesn't control. Their reaction is a mixture of disgust, anger, longing and need. It may not make sense. But it doesn't make sense that the country wants spending cuts and doesn't want cuts, wants change and doesn't want change. ↗
#emotion #obama #politics #vox-populi #anger
Outside of the dreary rubbish that is churned out by god knows how many hacks of varying degrees of talent, the novel is, it seems to me, a very special and rarefied kind of literary form, and was, for a brief moment only, wide-ranging in its sociocultural influence. For the most part, it has always been an acquired taste and it asks a good deal from its audience. Our great contemporary problem is in separating that which is really serious from that which is either frivolously and fashionably "radical" and that which is a kind of literary analogy to the Letterman show. It's not that there is pop culture around, it's that so few people can see the difference between it and high culture, if you will. Morton Feldman is not Stephen Sondheim. The latter is a wonderful what-he-is, but he is not what-he-is-not. To pretend that he is is to insult Feldman and embarrass Sondheim, to enact a process of homogenization that is something like pretending that David Mamet, say, breathes the same air as Samuel Beckett. People used to understand that there is, at any given time, a handful of superb writers or painters or whatever--and then there are all the rest. Nothing wrong with that. But it now makes people very uncomfortable, very edgy, as if the very idea of a Matisse or a Charles Ives or a Thelonious Monk is an affront to the notion of "ain't everything just great!" We have the spectacle of perfectly nice, respectable, harmless writers, etc., being accorded the status of important artists...Essentially the serious novelist should do what s/he can do and simply forgo the idea of a substantial audience. ↗
