But I did on projects that I produced, that I directed, that I acted in because it was important. I want to be a filmmaker. I don't want to be an actor who directs, I want to be a director. I want to be a filmmaker. So that's a big difference. ↗
Ever since I've left, I've been doing nothing but this film and traveling, promoting and doing festivals. So the good thing is that I'm not sitting around pining over whether I made the right choice in leaving. I'm moving and grooving. ↗
But I also think that the more you reason collectively about what the project should be at the beginning of the process, the more you can improvise later. ↗
The necessity to conceptualise has to come very early on, and defining a vector of development for that film also at the beginning of the process will allow you much more freedom as you go along. ↗
The other aspect is that you become much more aware of the structural problems that pertain to that continent. You feel the need to act to try and solve them. ↗
He only seems to me to live, and to make proper use of life, who sets himself some serious work to do, and seeks the credit of a task well and skillfully performed. ↗