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#prose

Read through the most famous quotes by topic #prose




Watch me go. Watch me. Because you said i couldn't. Because you thought I wouldn't. Go on, cry now. Cry.


Kellie Elmore


#breaking-up #couples #excerpts #free #heartbreak

Unlike Gatsby and Tom Buchanan I had no girl whose disembodied face floated along the dark cornices and blinding signs and so I drew up the girl beside me, tightening my arms. Her wan scornful mouth smiled and I drew her up again, closer, this time to my face.


F. Scott Fitzgerald


#prose #the-great-gatsby #love

He left her a note in her right slipper that said when I was alone yesterday I was happy, and I wanted you to know. Because look at how much you've done in me.


Mikl Paul


#poetry #prose-poetry #love

The sitting room is subdued, symmetrical; it's one of the shapes money takes when it freezes. Money has trickled through this room for years and years, as if through an underground cavern, crusting and hardening like stalactites into these forms.


Margaret Atwood


#pretty-prose #money

I knew quite well, when I gave the names of our agents in the Soviet Union, that I was exposing them to the full machinery of counterespionage and the law, and then prosecution and capital punishment.


Aldrich Ames


#capital #capital punishment #exposing #full #gave

I think my prose reads as if English were my second language. By the time I get to the end of a paragraph, I'm dodging bullets and gasping for breath.


Lynn Abbey


#bullets #by the time #dodging #end #english

It was a mistake. On the information we had, we shouldn't have prosecuted the war. We shouldn't have changed our argument from international law to regime change in a non-transparent way. It was an error for which we as a country paid a heavy price, and for which many people paid with their lives.


Ed Balls


#change #changed #country #error #had

Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.


Walter Benjamin


#composed #good #good prose #musical #prose

You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. Daddy, I have had to kill you. You died before I had time--- Marble-heavy, a bag full of God, Ghastly statue with one grey toe[1] Big as a Frisco seal And a head in the freakish Atlantic When it pours bean green over blue In the waters of beautiful Nauset.[2] I used to pray to recover you. Ach, du.[3] In the German tongue, in the Polish town[4] Scraped flat by the roller Of wars, wars, wars. But the name of the town is common. My Polack friend Says there are a dozen or two. So I never could tell where you Put your foot, your root, I never could talk to you. The tongue stuck in my jaw. It stuck in a barb wire snare. Ich, ich, ich, ich,[5] I could hardly speak. I thought every German was you. And the language obscene An engine, an engine Chuffing me off like a Jew. A Jew to Dachau, Auschwitz, Belsen.[6] I began to talk like a Jew. I think I may well be a Jew. The snows of the Tyrol,[7] the clear beer of Vienna Are not very pure or true. With my gypsy ancestress and my weird luck And my Taroc[8] pack and my Taroc pack I may be a bit of a Jew. I have always been scared of you, With your Luftwaffe,[9] your gobbledygoo. And your neat mustache And your Aryan eye, bright blue. Panzer[10]-man, panzer-man, O You--- Not God but a swastika So black no sky could squeak through. Every woman adores a Fascist, The boot in the face, the brute Brute heart of a brute like you. You stand at the blackboard, daddy, In the picture I have of you, A cleft in your chin instead of your foot But no less a devil for that, no not And less the black man who Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do. But they pulled me out of the sack, And they stuck me together with glue.[11] And then I knew what to do. I made a model of you, A man in black with a Meinkampf look[12] And a love of the rack and the screw. And I said I do, I do. So daddy, I’m finally through. The black telephone’s off at the root, The voices just can’t worm through. If I’ve killed one man, I’ve killed two--- The vampire who said he was you And drank my blood for a year, Seven years, if you want to know. Daddy, you can lie back now. There’s a stake in your fat black heart And the villagers never like you. They are dancing and stamping on you. They always knew it was you. Daddy, daddy, you bastard, I’m through (Plath, Ariel 49-51).


Sylvia Plath


#onomatopoeia #prose #rhythm #beauty






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