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As a person, [Barbara Stanwyck] was a great deal like the character she played in Ball of Fire, a stripper called Sugarpuss O'Shea. She had a wonderful, free, open quality in that picture, and that's what she was like as a woman. Reclusive by nature, she was happy to just stay home, but she read everything. She got me reading books as a way of life and, if I asked her, would help me out with my acting. We only had one scene together in Titanic—I played her daughter's boyfriend!—so there was a limit to what I could learn by working with her. She taught me what to do with my hands, how to get over my self-consciousness, and how to lower my voice, which I thought was still too high. And she taught me to be decisive with things like entrances. "When you walk in," she told me, "be sure you're standing up straight. Walk in with confidence." She didn't want me to sidle into a scene as if I were ashamed to be in the movie. Make the entrance! Take the scene! But I wasn't going there for acting tutorials. ↗
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Power is fortified not just by what it destroys, but also by what it creates. Not just by what it takes, but also by what it gives. And powerlessness reaffirmed not just by the helplessness of those who have lost, but also by the gratitude of those who have (or THINK they have) gained. ↗
The mountains are intimations of transcendence, which he is now free to pursue, and the walking writes messages in every cell of his body, telling him that he is not locked inside a cement box, nor in a water drum, but is moving forward. ↗
We may understand again, therefore, from this picture, that God's purpose in the cross of Jesus Christ was two-fold: first that we might be forgiven, being saved from sin's penalty because Christ died for us, and secondly, that we might be delivered from sin's power, because this old sinful nature, called the flesh, died with Him. ↗
There were mountains; there were valleys; there were streams. She climbed the mountains; roamed the valleys; sat on the banks of streams.....when, from the mountain-top, she beheld, far off, across the Sea of Marmara the plains of Greece, and made out (her eyes were admirable) the Acropolis with a white streak or two which must, she thought, be the Parthenon, her soul expanded with her eyeballs, and she prayed she might share the majesty of the hills, know the serenity of the plains, etc. etc., as all such believers do. ↗
Sometimes, it is true, a sense of isolation enfolds me like a cold mist as I sit alone and wait at life’s shut gate. Beyond there is light, and music, and sweet companionship; but I may not enter. Fate, silent, pitiless, bars the way…Silence sits immense upon my soul. Then comes hope with a smile and whispers, ‘there is joy is self-forgetfulness.’ So I try to make the light in others’ eyes my sun, the music in others; ears my symphony, the smile on others’ lips my happiness. ↗
No matter what I attempt, even if it’s the most simple of tasks, it always ends in failure. Unfortunately, I find that my life is one big regret after another. Yet, after all these years, I still don’t know when to give up. Is it my fault to keep trying when the results are always the same? Is it impossible for me to make things right? Even if I’d try to give up, I don’t think I could. It’s not in my nature to sumbit in the face of disappointment. In the end, I guess I’m just a glutton for punishment. I really am an idiot… ↗
Being on the moon is about harnessing science and technology. Waveless waterbeds are about harnessing nature and that, by definition, is not natural,” I shot back. “Babe, you’re not lyin’ on a miracle,” he said through a lip twitch. “No, I’m lying under one. ↗
