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When they had understood the hoopoe's words, A clamour of complaint rose from the birds: 'Although we recognize you as our guide, You must accept - it cannot be denied - We are a wretched, flimsy crew at best, And lack the bare essentials for this quest. Our feathers and our wings, our bodies' strength Are quite unequal to the journey's length; For one of us to reach the Simorgh's throne Would be miraculous, a thing unknown. [...] He seems like Solomon, and we like ants; How can mere ants climb from their darkened pit Up to the Simorgh's realm? And is it fit That beggars try the glory of a king? How ever could they manage such a thing?' The hoopoe answered them: 'How can love thrive in hearts impoverished and half alive? "Beggars," you say - such niggling poverty Will not encourage truth or charity. A man whose eyes love opens risks his soul - His dancing breaks beyond the mind's control. [...] Your heart is not a mirror bright and clear If there the Simorgh's form does not appear; No one can bear His beauty face to face, And for this reason, of His perfect grace, He makes a mirror in our hearts - look there To see Him, search your hearts with anxious care. ↗
The autopilot is a hands-free piece of electronic wizardry. It's not some brutal application of electricity like one of the Pubyok's car batteries...Think of its probing as a conversation with the mind, imagine it in a dance with identity. Yes, picture a pencil and eraser engaged in a beautiful dance across the page. The pencil's tip bursts with expression - squiggles, figures, words - filling the page, as the eraser measures, takes note, follows in the pencil's footsteps, leaving only blankness in its wake. The pencil's next seizure of scribbles is perhaps more intense and desperate, but shorter lived, and the eraser follows again. They continue in lockstep this way, the self and the state, coming closer to one another until finally the pencil and the eraser are almost one, moving in sympathy, the line disappearing even as it's laid down, the words unwritten before the letters are formed, and finally there is only white. ↗
Search your heart. He's there, Kate. You can ignore Him, try to run and hide from Him, even convince yourself that He's not there, but He promised us that he would never leave or forsake us." He tipped his head to the side. "Kind of like how you promised not to leave Maggie when she was going through labor. Maggie still had to go through it. You couldn't take her pain away, but you were there to hold her hand, to encourage her, to make sure she knew she wasn't alone, and when it was all said and done, something beautiful came out of what she endured. ↗
You won't always spoil her .or treat her like a princess.You won't tell her she's beautiful everyday.You won't make her smile every night and you won't always want her the way you do now.That fades.Those giddy little stomach flutters fade and you're then left with reality.There will be day's you will forget to tell her she's beautiful,even though she needs to hear it.There will be days you'll to say i love you.There will be days you'll forget a birthday or an anniversary.There will be a time when she will walk past you and you won;t want to ravish her, the way you do now.Those things fade, and when they do, what's left is what's truly worth fighting for Love isn't always beautiful, heck,it's not even close to being perfect half the time,feelings change, the spark dies down and what you're left with is something you either chose to fight for you don't When you know that even through those things are gone,you're still willing to fight for every breath ,then you know the love is real. ↗
The growth of intimacy is like that. First one gives off his best picture, the bight and finished product mended with bluff and falsehood and humor. Then more details are required and one paints a second portrait, and a third--before long the best lines cancel out--and the secret is exposed at last; the panes of the pictures have intermingled and given us away, and though we paint and paint we can no longer sell a picture. We must be satisfied with hoping that such famous accounts of ourselves as we make to our wives and children and business associates are accepted as true. ↗
I do not know why there are more people in the world that dare to be different than there are people who dare to make a difference. ↗
So may the outward shows be least themselves. The world is still deceived with ornament. In law, what plea so tainted and corrupt But, being seasoned with a gracious voice, Obscures the show of evil? In religion, What damnèd error, but some sober brow Will bless it and approve it with a text, Hiding the grossness with fair ornament? There is no vice so simple but assumes Some mark of virtue on his outward parts. How many cowards whose hearts are all as false As stairs of sand wear yet upon their chins The beards of Hercules and frowning Mars, Who, inward searched, have livers white as milk, And these assume but valor’s excrement To render them redoubted. Look on beauty, And you shall see ’tis purchased by the weight, Which therein works a miracle in nature, Making them lightest that wear most of it. So are those crispèd snaky golden locks Which maketh such wanton gambols with the wind, Upon supposèd fairness, often known To be the dowry of a second head, The skull that bred them in the sepulcher. Thus ornament is but the guilèd shore To a most dangerous sea, the beauteous scarf Veiling an Indian beauty—in a word, The seeming truth which cunning times put on To entrap the wisest. Therefore then, thou gaudy gold, Hard food for Midas, I will none of thee. Nor none of thee, thou pale and common drudge 'Tween man and man. But thou, thou meagre lead, Which rather threaten’st than dost promise aught, Thy paleness moves me more than eloquence, And here choose I. Joy be the consequence! ↗
It was 1976. It was one of the darkest days of my life when that nurse, Mrs. Shimmer, pulled out a maxi pad that measured the width and depth of a mattress and showed us how to use it. It had a belt with it that looked like a slingshot that possessed the jaw-dropping potential to pop a man's head like a gourd. As she stretched the belt between the fingers of her two hands, Mrs. Shimmer told us becoming a woman was a magical and beautiful experience. I remember thinking to myself, You're damn right it had better be magic, because that's what it's going to take to get me to wear something like that, Tinkerbell! It looked like a saddle. Weighed as much as one, too. Some girls even cried. I didn't. I raised my hand. "Mrs. Shimmer," I asked the cautiously, "so what kind of security napkins do boys wear when their flower pollinates? Does it have a belt, too?" The room got quiet except for a bubbling round of giggles. "You haven't been paying attention, have you?" Mrs. Shimmer accused sharply. "Boys have stamens, and stamens do not require sanitary napkins. They require self control, but you'll learn that soon enough." I was certainly hoping my naughty bits (what Mrs. Shimmer explained to us was like the pistil of a flower) didn't get out of control, because I had no idea what to do if they did. ↗
