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Read through the most famous quotes by topic #raf
I owe all my originality, such as it is, to my determination not to be a literary man. Instead of belonging to a literary club I belong to a municipal council. Instead of drinking and discussing authors and reviews, I sit on committees with capable practical greengrocers and bootmakers... Keep away from books and from men who get their ideas from books, and your own books will always be fresh. ↗
#men
I don't believe that the Scots were always frugal, now that I have read our mean history. Once the land was without mankind and was covered with trees - most of these heaths and moors are modern - and heather grows on the moor because the peasants snapped the limbs they could reach from the trees as high as they could reach, which slowed the growth of the trees, and their pigs rooted up saplings in the forest, and with branches beyond reach men chopped down the trees, trees that had leeched the shallow soil but at least held it with their roots, so that with fewer trees the rains carried off the thin layer of soil, trees became more scarce, winds blew wilder, dry land grew drier and wet land grew more wet, as one peasant here and another peasant there, gathering infinitesimal sticks for paltry winter fires, first raised the trees into the shapes of trees in a medieval hunting scene, and a courtier or if you will a laird might ride horseback through the forest, which looked as cultivated as he did, and he might hunt stags or roes visible among the visible trunks of allegorical trees, as allegory to us was naturalism to them, but their trim and vertical forests quickly deforested to vacant heath and moor, sheep and cattle grazing, nothing much taller than heather, and stone cottages built, a small dairy, smoke curling from chimneys in the morning, thick blue-grey ascending into blue, the old landshape become a landscape, and stones shaped into walls that curved with hilly fields, poisonously quaint, so that modern Scotland-Scotland by the seventeenth century-has been gardened, with no un-policied nature anywhere, and the only worse yet to come the townscape, the rustic villages, towns shaped with a view to the view, town hall spire rhyming with church steeple, a skyline constructed because they saw themselves as others would see them as they drove around the curve of the road, and they wanted to be ready for them, one tree left at the margin of a hill to catch the sunset in its branches, a grove of trees in the middle of a city as a park or square or green, the whole of Scotland a manshape, and the interferences of men applauded everywhere by men as they drove out to view the scenery and viewed the sum of infinitesimal greeds, the history of Scottish appetites, uncalculated and incalculable intrusions into the forest until the forest became a moor... ("Interim") ↗
I was taken to a villa to meet Sabri al-Banna, known as 'Abu Nidal' ('father of struggle'), who was at the time emerging as one of Yasser Arafat's main enemies. The meeting began inauspiciously when Abu Nidal asked me if I would like to be trained in one of his camps. No thanks, I explained. From this awkward beginning there was a further decline. I was then asked if I knew Said Hammami, the envoy of the PLO in London. I did in fact know him. He was a brave and decent man, who in a series of articles in the London Times had floated the first-ever trial balloon for a two-state solution in Israel/Palestine. 'Well tell him he is a traitor,' barked my host. 'And tell him we have only one way with those who betray us.' The rest of the interview passed as so many Middle Eastern interviews do: too many small cups of coffee served with too much fuss; too many unemployed heavies standing about with nothing to do and nobody to do it with; too much ugly furniture, too many too-bright electric lights; and much too much faux bonhomie. The only political fact I could winnow, from Abu Nidal's vainglorious claims to control X number of 'fighters' in Y number of countries, was that he admired the People's Republic of China for not recognizing the State of Israel. I forget how I got out of his office. ↗
#arafat #china #interviews #iraq #israel
If by any chance a playwright wishes to express a political opinion or a moral opinion or a philosophy, he must be a good enough craftsman to do it with so much spice of entertainment in it that the public get the message without being aware of it. ↗
#drama #entertainment #opinion #philosophy #surreptitious-meaning
Write what is important to you, regardless of fashion or marketability or anything like that – all those things are so far out of your control that you may as well not think about them. Of course, this may mean you’ll never be published but that’s a risk we all take every single time we set hands to keyboard or pen to paper. For me, if I can sit back at the end of a project and say, ‘yes, I stayed honest, I said what I wanted to say, and I made it sing to the best of my ability’, then I’m happy enough. Of course, if anyone wants to buy the damned thing off me when I’m done, that’s jam I won’t refuse. ↗
My advice to an aspiring actor would be to never stop learning or working for what you want. Nothing comes easy, ever, if you want something, you have to work for it. By working for it I mean work on your craft, learn from people who have something to teach. It's just like anything else, practice makes perfect. ↗
One succeeds in obtaining an equivalent production at a lower price by improving the arts, trades and agriculture and by developing the physical and moral qualities of workers, farmers and craftsmen. ↗
