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I believe that people should write biographies only about people they love, or understand, or both. Novels, on the other hand, are often better if they're about people the writer doesn't like very much. ↗
forests of monsterous overnourished oaks with serpent roots twisting and sucking unnamable juices from an earth verminous with millions of cannible devils; mound like tentacles groping from underground nuclei of polypous perversion...insane lightning over malignant ivied walls and daemon arcades choked with fungous vegetation...Heaven be thanked for the instinct which led me unconscious to places where men dwell; to the peaceful village that slept under the calm stars of clearing skies. ↗
Writing is for men who can think and feel, not mindless sensation seekers out of nightclubs and bars. But these are bad times. We are condemned to work with upstarts, clowns who no doubt got their training in a circus and then turned to journalism as the appropriate place to display their tricks. ↗
This was dangerous talk—in these enlightened times, a wise woman would never be too clever. The accusation of witchcraft had rid many men of an ugly wife and yet more women of an attractive rival. ↗
You cherry-pick events that are relevant to the story question and construct a gauntlet of challenge (read: the plot) that will force the protagonist to put his money where his mouth is. Think baptism by ever-escalating fire. ↗
There is no point in expending good money on the pursuit of an engine that can power aircraft without propellers. What is wrong with airships anyway? They have borne mankind aloft for over a hundred relatively accident-free years and I see no reason to impugn their popularity... ↗
