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Were ya really tryin' to stab that demon in the ass?” Riley groaned. “No, I was aiming for its leg, and it moved. I looked like a total dork.” Not to me. ↗
What did ya learn from this dumbass stunt?” Here's where she was supposed to apologize, promise to be a good little girl and never do anything like this again. Screw that. Riley locked eyes with him. “I learned that the Holy Water better be fresh, that I need practice throwing the spheres, and that someone has to watch my back so asshats don't steal my demons. ↗
As Beck drove out of the garage, he gave the parking attendants a big toothy smile and a wave. “There's some snow on the fifth level. Thought ya might like to know. Y'all have a nice day, now!” he called out. No wonder Dad liked working with you. ↗
Beck must have seen how frightened she was because his expression softened. He leaned close, and whispered, “Do ya trust me, Riley?” Tears built in her eyes. “Yes,” she whispered, trembling in fear. Always. “Then it'll be all right,” he replied. Beck gently placed a kiss on her forehead. ↗
The novel was born with the Modern Era, which made man, to quote Heidegger, the "only real subject," the ground for everything. It is largely through the novel that man as an individual was established on the European scene. Away from the novel, in our real lives, we know very little about our parents as they were before our birth; we have only fragmentary knowledge of the people close to us: we see them come and go and scarcely have they vanished than their place is taken over by others: they form a long line of replaceable beings. Only the novel separates out an individual, trains a light on his biography, his ideas, his feelings, makes him irreplaceable: makes him the center of everything. ↗
