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Read through the most famous quotes by topic #read
Printed works do not take up mental space simply by virtue of being there; attention must be paid or their content, whether simple or complex, can never be truly assimilated. The willed attention demanded by print is the antithesis of the reflexive distraction encouraged by infotainment media, whether one is talking about the tunes on an iPod, a picture flashing briefly on a home page, a text message, a video game, or the latest offering of "reality" TV. That all of these sources of information and entertainment are capable of simultaneously engendering distraction and absorption accounts for much of their snakelike charm. ↗
Literary criticism can be no more than a reasoned account of the feeling produced upon the critic by the book he is criticizing. Criticism can never be a science: it is, in the first place, much too personal, and in the second, it is concerned with values that science ignores. The touchstone is emotion, not reason. We judge a work of art by its effect on our sincere and vital emotion, and nothing else. All the critical twiddle-twaddle about style and form, all this pseudoscientific classifying and analysing of books in an imitation-botanical fashion, is mere impertinence and mostly dull jargon. ↗
I love the book. I love the feel of a book in my hands, the compactness of it, the shape, the size. I love the feel of paper. The sound it makes when I turn a page. I love the beauty of print on paper, the patterns, the shapes, the fonts. I am astonished by the versatility and practicality of The Book. It is so simple. It is so fit for its purpose. It may give me mere content, but no e-reader will ever give me that sort of added pleasure. ↗
Yes, I read. I have that absurd habit. I like beautiful poems, moving poetry, and all the beyond of that poetry. I am extraordinarily sensitive to those poor, marvelous words left in our dark night by a few men I never knew. ↗
Novels institutionalize the ruse of eros. It becomes a narrative texture of sustained incongruence, emotional and cognitive. It permits the reader to stand in triangular relation to the characters in the story and reach into the text after the objects of their desire, sharing their longing but also detached from it, seeing their view of reality but also its mistakenness. It is almost like being in love. ↗
The beauty of Goodreads is that you know you’re sowing in a field where everyone, by definition and self-selection, loves to read. ↗
I have been reading three books Dean lent me this week. One was like a rose garden--very pleasant, but just a little too sweet. And one was like a pine wood on a mountain--full of balsam and tang--I loved it, and yet it filled me with a sort of despair. It was written so beautifully--I can never write like that, I feel sure. And one--it was just like a pig-sty. Dean gave me that one by mistake. ↗
If she were running through the rye, if she were headed towards the abyss, I would grab hold with every ounce of my strength, with every scared beat of my heart, with every thought that could only be for her. And if I were to be running the same way, I’d like to think she’d do the same. But maybe her hands would be busy holding the book. Maybe she wouldn’t see me, too intent on looking for Phoebe from the carousel. Or waiting for Holden to hold her, to wrap her in the pages of his arms, to say she was the only one who truly knew him, as I plunged past her, sad to be leaving, and a little happy to be away. ↗
