#recording

I'm hoping to become a recording artist and make albums and go on tour. ↗

— Skylar Laine

#artist #become #go #hoping #i

Quite honestly, if I were doing work related to a living being or historical being where there was visual or audio recordings available, I would find that extremely difficult because I don't know how you would avoid the process of mimicry. And mimicry, to me at any rate, is a very dull prospect. ↗

— Daniel Day-Lewis

#audio #available #avoid #because #being

Fame came quickly. I was only 19 when I secured my initial recording contract and my first two hit records - 'Are 'Friends' Electric?' and 'Cars' - were number ones. ↗

— Gary Numan

#cars #contract #electric #fame #first

And, you know, I think the original recording of Ravel's Bolero, probably whoever played percussion on that, will never have It played better than that. ↗

— Buddy Rich

#i #i think #know #never #original

Simultaneous recording with superimposed ionization chambers and Wilson chambers, ionization chambers and sets of counting tubes, has not yet been carried out. ↗

— Victor Francis Hess

#carried #chambers #counting #ionization #out

If I could record them and transmit them to the present age, they would constitute nothing more, nowadays, than dead sounds. They would be, in a word, sounds other than what they actually were, and from what their phonographic labels pretended they were – since it's in ourselves that the silence exists. It was while the sounds were still mysterious that it would have been really interesting to render the mystery palpable and transferable. ↗

— Auguste de Villiers de l'Isle-Adam

#silence #sound #age

He likes a day in the studio to end, he says, "when my knees are all skinned up and my pants are wet and my hair's off to one side and I feel like I've been in the foxhole all day. I don't think comfort is good for music. It's good to come out with skinned knuckles after wrestling with something you can't see. I like it when you come home at the end of the day from recording and someone says, "What happened to your hand?" And you don't even know. When you're in that place, you can dance on a broken ankle. ↗

— Tom Waits

#songs #writing #music

This is... an attempt to find some of the important fault lines in the narrative of "recorded history"--the points where people with access to the technology decided that *this* was how recordings should sound, and *this* is what it means to make a record. Ultimately, this is the story of what it means to make a recording of music--a *representation* of music--and declare it to be music itself. ↗

— Greg Milner

#preservation #recordings #music

DUST includes rarities, demos, unreleased songs and instrumentals, live recordings, and more. ↗

— Adrian Belew

#dust #includes #instrumentals #live #more

Recording at home enables one to eliminate the demo stage, and the presentation stage in the studio, too. ↗

— Warren Zevon

#eliminate #enables #home #presentation #recording