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Read through the most famous quotes by topic #reviews
To all those whom seek the iron words of the community: if your book is good, it will stand on its own. Be it a short story, a novel, a novella, a chapter book, a poetry book, a chapbook, a manga or a graphic novel...it will seek reviews by itself. You need to do nothing with it. Do nothing but write. Give up review seeking and focus on writing, for that is what becomes you in the end. ↗
If you make art, people will talk about it. Some of the things they say will be nice, some won’t. You’ll already have made that art, and when they’re talking about the last thing you did, you should already be making the next thing. If bad reviews (of whatever kind) upset you, just don’t read them. It’s not like you’ve signed an agreement with the person buying the book to exchange your book for their opinion. Do whatever you have to do to keep making art. I know people who love bad reviews, because it means they’ve made something happen and made people talk; I know people who have never read any of their reviews. It’s their call. You get on with making art. ↗
Of course, Hollywood is still making some excellent pictures which reflect the great artistry that made Hollywood famous throughout the world, but these films are exceptions, judging from box office returns and press reviews. ↗
Nearly every writer writes a book with a great amount of attention and intention and hopes and dreams. And it's important to take that effort seriously and to recognize that a book may have taken ten years of a writer's life, that the writer has put heart and soul into it. And it behooves us, as book-review-editors, to treat those books with the care and attention they deserve, and to give the writer that respect." Pamela Paul, New York Times Book Review editor, in a Poets & Writer's interview (something for all reviewers to think about) ↗
Mr. Melville is evidently trying to ascertain how far the public will consent to be imposed upon. He is gauging, at once, our gullibilty and our patience. Having written one or two passable extravagancies, he has considered himself privileged to produce as many more as he pleases, increasingly exaggerated and increasingly dull…. In bombast, in caricature, in rhetorical artifice — generally as clumsy as it is ineffectual — and in low attempts at humor, each one of his volumes has been an advance among its predecessors…. Mr. Melville never writes naturally. His sentiment is forced, his wit is forced, and his enthusiasm is forced. And in his attempts to display to the utmost extent his powers of “fine writing,” he has succeeded, we think, beyond his most sanguine expectations… We have no intention of quoting any passages just now from Moby-Dick. The London journals, we understand, “have bestowed upon the work many flattering notices,” and we should be loth to combat such high authority. But if there are any of our readers who wish to find examples of bad rhetoric, involved syntax, stilted sentiment and incoherent English, we will take the liberty of recommending to them this precious volume of Mr. Melville’s. ↗
I know that an author must be brave enough to chop away clinging tentacles of good taste for the sake of a great work. But this is no great work, you see. ↗
