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I am glad," he said. "They will be able to take care of each other when I am gone, or at least I can hope for it. He says she does not love him, but - surely she will come to love him in time. Will is easy to love, and he has given her his whole heart. I can see it. I hope she will not break it." Sophie could not think of a word to say. She did not know what anyone could say in the face of love like this - so much forebearance, so much endurance, so much hope. ↗
Love potions? For Will 'erondale? 'Tain't my way to turn down payment, but any man who looks like you 'as got no need of love potions, and that's a fact." "No," Will said, a little desperation in his voice. "I was looking for the opposite, really -- something that might put an end to being in love." "An 'atred potion?" Mol still sounded amused. "I was hoping for something more akin to indifference? Tolerance?" She made a snorting noise, astonishingly human for a ghost. "I 'ardly like to tell you this, Nephilim, but if you want a girl to 'ate you, there's easy enough ways of making it 'appen. You don't need my help with the poor thing." And with that she vanished, spinning away into the mists among the graves. Will, looking after her, sighed. "Not for her," he said under his breath, though there was no one to hear him, "for me..." And he leaned his head against the cold iron gate. ↗
#clockwork-prince #the-infernal-devices #tid #will-herondale #love
This heated (environmental) debate is fundamentally about numbers. How much energy could each source deliver, at what economic and social cost, and with what risks? But actual numbers are rarely mentioned. In public debates, people just say “Nuclear is a money pit” or “We have a huge amount of wave and wind.” The trouble with this sort of language is that it’s not sufficient to know that something is huge: we need to know how the one “huge” compares with another “huge,” namely our huge energy consumption. To make this comparison, we need numbers, not adjectives. ↗
What one should add here is that self-consciousness is itself unconscious: we are not aware of the point of our self-consciousness. If ever there was a critic of the fetishizing effect of fascinating and dazzling "leitmotifs", it is Adorno: in his devastating analysis of Wagner, he tries to demonstrate how Wagnerian leitmotifs serve as fetishized elements of easy recognition and thus constitute a kind of inner-structural commodification of his music. It is then a supreme irony that traces of this same fetishizing procedure can be found in Adorno's own writings. Many of his provocative one-liners do effectively capture a profound insight or at least touch on a crucial point (for example: "Nothing is more true in pscyhoanalysis than its exaggeration"); however, more often than his partisans are ready to admit, Adorno gets caught up in his own game, infatuated with his own ability to produce dazzlingly "effective" paradoxical aphorisms at the expense of theoretical substance (recall the famous line from Dialectic of Englightment on how Hollywood's ideological maniuplation of social reality realized Kant's idea of the transcendental constitution of reality). In such cases where the dazzling "effect" of the unexpected short-circuit (here between Hollywood cinema and Kantian ontology) effectively overshadows the theoretical line of argumentation, the brilliant paradox works precisely in the same manner as the Wagnerian leitmotif: instead of serving as a nodal point in the complex network of structural mediation, it generates idiotic pleasure by focusing attention on itself. This unintended self-reflexivity is something of which Adorno undoubtedly was not aware: his critique of the Wagnerian leitmotif was an allegorical critique of his own writing. Is this not an exemplary case of his unconscious reflexivity of thinking? When criticizing his opponent Wagner, Adorno effectively deploys a critical allegory of his own writing - in Hegelese, the truth of his relation to the Other is a self-relation. ↗
When the nurse leaves, Doctor Rose mouths, “Act like you’re in pain.” Then she mimics a painful expression in case Summer doesn’t understand. On the contrary, Summer’s an expert at interpreting body language and reading lips. It’s all thanks to her observant nature while enslaved on the Cosmos. Who else could tell that Peter’s discomfort is due to him wearing the same pair of underwear for a week straight? Ah, yes, she always knew when day six and seven approached. She watched the crew member with much amusement as he waddled, pulled wedgies, and scratched his bum relentlessly. Not that anyone else cared to know that little nugget of information. ↗
#forsaken-harbor #humor #laura-kreitzer #phantom-universe #science-fiction
It never occurred to me that somehow women did know about it. It just never occurred to me. Yes I am wearing sneakers too. You are in a suit, I am comfortable. So when she explained to me that this was the first event really of its kind, it floored me. So I called my daughter who is in her 30s now and I said “do you know what endometriosis is?” She said, “what? Have to pack the pack the busters.” I said “no man, you have never heard of it?” No she said. I do not know what it is, and it occurred to me that my 30-year-old daughter who I told about endometriosis and it didn’t stick. If she didn’t know, and she is one of the hippest people I know, and her daughter doesn’t know, she has 19-year-old and she is a 13-year-old. The boy, we don’t care much about if he knows about it so much. There is other stuff for him to learn. Like how to roll a condom, things like that. You know, and it occurred to me that if they didn’t know that there were hundreds of thousands girls out there that don’t know. It is not because their mothers don’t want to tell them, because it’s not religion, it’s pure ignorance. We don’t know, we don’t have the information, we have it now, and so now is why this very first gathering is happening. Now is why we’re all sitting here looking really fabulous as you are... [Whoopi Goldberg on endometriosis awareness from the 2009 Blossom Ball] ↗
Have you any idea how much my kingdom has swollen in this past century alone, how many subdivisions I've had to open?" I opened my mouth to respond, but Hades was on a roll now. More security ghouls," he moaned. "Traffic problems at the judgment pavilion. Double overtime for the staff. I used to be a rich god, Percy Jackson. I control all the precious metals under the earth. But my expenses!" Charon wants a pay raise," I blurted, just remembering the fact. As soon as I said it, I wished I could sew up my mouth. Don't get me started on Charon!" Hades yelled. "He's been impossible ever since he discovered Italian suits! Problems everywhere, and I've got to handle all of them personally. The commute time alone from the palace to the gates is enough to drive me insane! And the dead just keep arriving. No, godling. I need no help getting subjects! I did not ask for this war. ↗
Tessa craned her head back to look at Will. “You know that feeling,” she said, “when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside.” His blue eyes were dark with understanding — of course Will would understand — and she hurried on. “I feel now as if the same is happening, only not to characters on a page but to my own beloved friends and companions. I do not want to sit by while tragedy comes for us. I would turn it aside, only I struggle to discover how that might be done.” “You fear for Jem,” Will said. “Yes,” she said. “And I fear for you, too.” “No,” Will said, hoarsely. “Don’t waste that on me, Tess. ↗
Jem grinned. “Where have you been? The Blue Dragon? The Mermaid?” “The Devil Tavern if you must know.” Will sighed and leaned against one of the posts of the bed. “I had such plans for the evening. The pursuit of blind drunkenness and wayward women was my goal. But alas, it was not to be. No sooner had I consumed my third drink in the Devil than I was accosted by a delightful small flower-selling child who asked me for two-pence for a daisy. The price seemed steep, so I refused. When I told the girl as much, she proceeded to rob me.” “A little girl robbed you?” Tessa said. “Actually, she wasn’t a little girl at all, as it turns out, but a midget in a dress who goes by the name of Six-Fingered Nigel.” “Easy mistake to make,” Jem said. ↗
