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For all his claims to be just a propagandist, [Bernard Shaw's] writing has an effect nearer to that of music than most of those who have claimed to be writing "dramas of feeling." His plays are a joy to watch, not because they purport to deal with social and political problems, but because they are such wonderful displays of conspicuous waste; the conversational energy displayed by his characters is so far in excess of what their situation requires that, if it were to be devoted to practical action, it would wreck the world in five minutes. The Mozart of English letters he is not – the music of the Marble Statue is beyond him – the Rossini, yes. He has all the brio, humor, cruel clarity and virtuosity of that master of opera buffa. ↗
...she could not think of what had happened to her that day, or of what might happen that night. Instead, she watched the lamplighters move along the avenues even as their celestial counterparts set the stars alight in the sky. The rain had washed the city clean, and the air was a confection of clematis and violets and peony. Music and light spilled out of so many grand houses that the two seemed at once ubiquitous and united, as if to play a note was to send forth a ray of illumination, and a quartet was enough to set the grandest halls aglitter. ↗
Dmitri was at a total loss. It was a common reaction for people when I agreed to do something reasonable. ↗
The Moon rules our emotional nature, how we react in situations, and what is needed in our lives to make us feel emotionally safe and secure. ↗
I don’t see a way in,” Eve whispered. Why are you whispering?” Myrnin whispered back. “Vampires can hear us, anyway. ↗
Okay, so. You, Belikov, the Alchemist, Sonya Karp, Victor Dashkov, and Robert Doru are all hanging out in West Virginia together.” “No,” I said. “No?” “We’re, uh, not in West Virginia. ↗
Rosa Mystica 'The rose is a mystery'--where is it found? Is it anything true? Does it grow upon the ground? It was made of earth's mould, but it went from men's eyes, And its place is a secret and shut in the skies. In the gardens of God, in the daylight divine, Find me a place by thee, mother of mine. But where was it formerly? Which is the spot That was blest in it once, though now it is not? It is Galilee's growth: it grew at God's will And broke into bloom upon Nazareth hill. In the gardens of God, in the daylight divine, I shall look on thy loveliness, mother of mine. What was its season then? How long ago? When was the summer that saw the bud blow? Two thousands of years are near upon past Since its birth and its bloom and its breathing its last. In the gardens of God, in the daylight divine, I shall keep time with thee, mother of mine. Tell me the name now, tell me its name. The heart guesses easily: is it the same? Mary the Virgin, well the heart knows, She is the mystery, she is that rose. In the gardens of God, in the daylight divine, I shall come home to thee, mother of mine. Is Mary the rose then? Mary, the tree? But the blossom, the blossom there--who can it be? Who can her rose be? It could but be One Christ Jesus our Lord, her God and her son. In the gardens of God, in the daylight divine, Show me thy son, mother, mother of mine. What was the colour of that blossom bright?-- White to begin with, immaculate white. But what a wild flush on the flakes of it stood When the rose ran in crimsonings down the cross-wood! In the gardens of God, in the daylight divine I shall worship His wounds with thee, mother of mine. How many leaves had it?--Five they were then, Five, like the senses and members of men; Five is their number by nature, but now They multiply, multiply--who can tell how? In the gardens of God, in the daylight divine Make me a leaf in thee, mother of mine. Does it smell sweet, too, in that holy place? Sweet unto God and the sweetness is grace: The breath of it bathes great heaven above In grace that is charity, grace that is love. To thy breast, to thy rest, to thy glory divine Draw me by charity, mother of mine. ↗
