#s

I pay a lot of attention to how things are done and the whole activity of building something is interesting. ↗

— Donald Judd

#attention #building #done #how #i

I recognize very much in Hopper that it does look like the United States; it looks like the 30's and my first impressions of everything, all of which I have to deal with and which gets mixed up in my work and probably gets mixed up in everybody else's work too. ↗

— Donald Judd

#does #else #everybody #everything #first

I think most of the art now is involved with a denial of any kind of absolute morality, or general morality. ↗

— Donald Judd

#any #art #denial #general #i

I think most of the best new work is intended to have much more impact at once. ↗

— Donald Judd

#i #i think #impact #intended #more

I think some of the things I deal with Hopper probably has dealt with also, since it's somewhat the same environment and I have pretty strong reactions to what this country looks like. It looks pretty dull and spare, and you like this and dislike it and it's very complicated. ↗

— Donald Judd

#complicated #country #deal #dealt #dislike

Pollock looks unusual and radical even now. ↗

— Donald Judd

#even now #looks #now #pollock #radical

Stuart Davis has more to do with what the United States is like than Hopper. ↗

— Donald Judd

#hopper #like #more #states #stuart

The attitude and capacity of the factory, the old metal table and the new ideas of the wooden furniture quickly and naturally suggested the possibility of metal furniture. ↗

— Donald Judd

#capacity #factory #furniture #ideas #metal

The older painting - well, it does have an effect all at once, I suppose, but it's of a lesser intensity than a lot of the American work in the last ten or fifteen years. ↗

— Donald Judd

#does #effect #fifteen #i #intensity

They certainly aren't connected with the old geometric art. My work isn't geometric in that sense. ↗

— Donald Judd

#certainly #connected #geometric #old #sense